Philosophical Conceptualization and Literary Art: Inference, Ereignis, and Conceptual Attunement to the Work of Poetic Genius

Capa
Fairleigh Dickinson Univ Press, 2004 - 231 páginas
This book offers an original orientation to how speculative thinking may be profoundly stimulated - the philosophical imagination transformatively enlarged - through intermediating engagements with the work of art. The author illustrates the practical implications of this orientation by selecting an inferential model of concept formation to highlight the philosophically pregnant routes of inference that such engagements can sponsor.Separate chapters show how a variety of independently interesting metaphysical, phenomenological, and onto-aesthetic concepts of Desmond, Otto, and Heidegger get amplified and deepened when entertained as conceptual attunements rather than as fixed, mediating terms. The study culminates by focusing on how an intermediating engagement with artwork can inferentially enlarge the very concept of the work of art.
 

O que estão dizendo - Escrever uma resenha

Não encontramos nenhuma resenha nos lugares comuns.

Conteúdo

Introduction
17
Conceptual Attunement and Literary Art
27
Ontological Reflection Ode on a Grecian Urn and the Senses of Being
81
The Phenomenological Key The Sensus Numinis in Emily Dickinsons Verse
134
Aesthetic Inference and Insight Artworks Work Werksein and Wallace Stevenss Idea of Order at Key West
173
Conclusion
201
Bibliography
205
Index
219
Direitos autorais

Outras edições - Visualizar todos

Termos e frases comuns

Informações bibliográficas