Shakespeare and the Triple Play: From Study to Stage to ClassroomSidney Homan Bucknell University Press, 1988 - 239 páginas Developing the interrelationship of Shakespeare scholarship, performance, and teaching, the contributors to this collection, including scholars of the People's Republic of China, share the perspective that Shakespeare's plays be viewed as texts to be enacted, whether on the theater stage or the stage of the mind's eye. |
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... turn influences the teaching of Shake- speare in the classroom . By at once dis- tinguishing and showing the interrela- tionship among the three dimensions of the triple play - the study , the stage , and the classroom - this volume ...
... turn influences the teaching of Shake- speare in the classroom . By at once dis- tinguishing and showing the interrela- tionship among the three dimensions of the triple play - the study , the stage , and the classroom - this volume ...
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... turn , their work in the classroom . In section three , fellow teachers concentrating on the challenge of bringing Shakespeare to students have first considered such issues as what options the text offers to directors , the alarming way ...
... turn , their work in the classroom . In section three , fellow teachers concentrating on the challenge of bringing Shakespeare to students have first considered such issues as what options the text offers to directors , the alarming way ...
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... turns to the play's own political focus on the self as " a repertoire of externally , socially interactive roles , which clothe or encase a vulnerable inner core of being . " At length he looks at the political circumstances attending ...
... turns to the play's own political focus on the self as " a repertoire of externally , socially interactive roles , which clothe or encase a vulnerable inner core of being . " At length he looks at the political circumstances attending ...
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... turn influenced both my writing and teaching . No less my experience with modern Chinese drama , where the community takes precedence over the individual , and where the audience itself becomes a " player " in the performance , shaped ...
... turn influenced both my writing and teaching . No less my experience with modern Chinese drama , where the community takes precedence over the individual , and where the audience itself becomes a " player " in the performance , shaped ...
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... turn , the teacher needs to show the student that fixity , the notion that there is a single right way of ... turns to King Lear where the stage picture often brings the poetry preceding it to a horrifying visual close . Edgar's ...
... turn , the teacher needs to show the student that fixity , the notion that there is a single right way of ... turns to King Lear where the stage picture often brings the poetry preceding it to a horrifying visual close . Edgar's ...
Conteúdo
9 | |
11 | |
Shakespeare and the Triple Play | 23 |
The Study | 25 |
Immortal Money The Merchant of Venice | 27 |
Magic and Politics in The Tempest | 43 |
Between the Mirror and the Face Symbolic Reality in Richard II | 58 |
4 | 76 |
The Camera in Gertrudes Closet | 150 |
The Classroom | 175 |
Intentions Options and Greatness An Example from A Midsummer Nights Dream | 177 |
Actualizing the Metaphor Image and Act in Twelfth Night and King Lear | 187 |
Hamlets First Soliloquy An Exercise | 197 |
Shakespeare Liveon Videotape | 201 |
Students Write about Shakespeare The Triple Play in the College Classroom | 207 |
The Triple Stage and the National Endowment Shakespeare Institute | 215 |
b Shakespeare and the Idea of Nature in the Renaissance | 82 |
Hamlets Fat | 89 |
The Stage | 105 |
Notes on Playing Prospero | 107 |
The Merry Wives of Windsor in the Peoples Republic of China A Directors Notebook | 116 |
Culture Character and Conscience in Shakespeare | 138 |
Afterword | 223 |
Afterword | 225 |
Notes on the Contributors | 231 |
235 | |
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Termos e frases comuns
action actors Alonso Antonio Ariel audience Bassanio become Caliban camera characters classroom Claudius Claudius's closet scene Comedy costumes critics culture death director divine right Dover Wilson downstage drama Egeus Egeus's Elizabethan English essays exit experience Falstaff farce father feel Ferdinand Folio Ford Gertrude Gertrude's Ghost gold Grumio Hamlet Hermia human husband interpretation Jilin University King Lear Lady London look Lysander Macbeth magic marriage melancholy Merchant of Venice Metadrama metaphor Midsummer Night's Dream Miranda mirror moral mother murder nature Olivier onstage performance Petruchio Philostrate play's playwright political Polonius Portia production Prospero Quarto reading reality response Richard Richard II role seems sense sexual Shake Shakespeare Shakespeare's plays Shylock silence Slender speak speare's speech stage suggests symbolic teachers teaching Tempest theater theatrical Theseus Theseus's thou tion tragedy tragic triple play University Press visual William Shakespeare Windsor Wives words York Zhang