Shakespeare and the Triple Play: From Study to Stage to ClassroomSidney Homan Bucknell University Press, 1988 - 239 páginas Developing the interrelationship of Shakespeare scholarship, performance, and teaching, the contributors to this collection, including scholars of the People's Republic of China, share the perspective that Shakespeare's plays be viewed as texts to be enacted, whether on the theater stage or the stage of the mind's eye. |
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Página 5
... Nature in the Renaissance ZHANG XIAOYANG 82 5 Hamlet's Fat LAURA KEYES 89 PART II : The Stage 6 Notes on Playing Prospero SHERMAN HAWKINS 107 The Merry Wives of Windsor in the People's Republic of China : A Director's Notebook SIDNEY ...
... Nature in the Renaissance ZHANG XIAOYANG 82 5 Hamlet's Fat LAURA KEYES 89 PART II : The Stage 6 Notes on Playing Prospero SHERMAN HAWKINS 107 The Merry Wives of Windsor in the People's Republic of China : A Director's Notebook SIDNEY ...
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... nature , its own metacritical commentary , this latest essay first considers money from the perspective of econom ... natural man in the Renaissance . Not a synthesis of polarized critical views , Payne's reading appeals to the modern ...
... nature , its own metacritical commentary , this latest essay first considers money from the perspective of econom ... natural man in the Renaissance . Not a synthesis of polarized critical views , Payne's reading appeals to the modern ...
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... Nature in the Renaissance " by Zhang Xiaoyang . In part I did so to highlight those features of each essay which I thought would be of special interest to readers in the West , and in part so that I could juxtapose in a single chapter ...
... Nature in the Renaissance " by Zhang Xiaoyang . In part I did so to highlight those features of each essay which I thought would be of special interest to readers in the West , and in part so that I could juxtapose in a single chapter ...
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... natural , the actor playing Prospero himself moves from being an illusory stage figure to a fellow human who in his " Please you draw near " addresses those offstage no less than onstage . The student , properly , follows his teacher as ...
... natural , the actor playing Prospero himself moves from being an illusory stage figure to a fellow human who in his " Please you draw near " addresses those offstage no less than onstage . The student , properly , follows his teacher as ...
Página 19
... properly objected to the director's choice of incongruous costumes , or the no less jarring presence of natural and declamatory acting styles , they became intensely aware of " production values , " the decisions Introduction 19.
... properly objected to the director's choice of incongruous costumes , or the no less jarring presence of natural and declamatory acting styles , they became intensely aware of " production values , " the decisions Introduction 19.
Conteúdo
9 | |
11 | |
Shakespeare and the Triple Play | 23 |
The Study | 25 |
Immortal Money The Merchant of Venice | 27 |
Magic and Politics in The Tempest | 43 |
Between the Mirror and the Face Symbolic Reality in Richard II | 58 |
4 | 76 |
The Camera in Gertrudes Closet | 150 |
The Classroom | 175 |
Intentions Options and Greatness An Example from A Midsummer Nights Dream | 177 |
Actualizing the Metaphor Image and Act in Twelfth Night and King Lear | 187 |
Hamlets First Soliloquy An Exercise | 197 |
Shakespeare Liveon Videotape | 201 |
Students Write about Shakespeare The Triple Play in the College Classroom | 207 |
The Triple Stage and the National Endowment Shakespeare Institute | 215 |
b Shakespeare and the Idea of Nature in the Renaissance | 82 |
Hamlets Fat | 89 |
The Stage | 105 |
Notes on Playing Prospero | 107 |
The Merry Wives of Windsor in the Peoples Republic of China A Directors Notebook | 116 |
Culture Character and Conscience in Shakespeare | 138 |
Afterword | 223 |
Afterword | 225 |
Notes on the Contributors | 231 |
235 | |
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Termos e frases comuns
action actors Alonso Antonio Ariel audience Bassanio become Caliban camera characters classroom Claudius Claudius's closet scene Comedy costumes critics culture death director divine right Dover Wilson downstage drama Egeus Egeus's Elizabethan English essays exit experience Falstaff farce father feel Ferdinand Folio Ford Gertrude Gertrude's Ghost gold Grumio Hamlet Hermia human husband interpretation Jilin University King Lear Lady London look Lysander Macbeth magic marriage melancholy Merchant of Venice Metadrama metaphor Midsummer Night's Dream Miranda mirror moral mother murder nature Olivier onstage performance Petruchio Philostrate play's playwright political Polonius Portia production Prospero Quarto reading reality response Richard Richard II role seems sense sexual Shake Shakespeare Shakespeare's plays Shylock silence Slender speak speare's speech stage suggests symbolic teachers teaching Tempest theater theatrical Theseus Theseus's thou tion tragedy tragic triple play University Press visual William Shakespeare Windsor Wives words York Zhang