Shakespeare and the Triple Play: From Study to Stage to ClassroomSidney Homan Bucknell University Press, 1988 - 239 páginas Developing the interrelationship of Shakespeare scholarship, performance, and teaching, the contributors to this collection, including scholars of the People's Republic of China, share the perspective that Shakespeare's plays be viewed as texts to be enacted, whether on the theater stage or the stage of the mind's eye. |
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... criticism of the second section , " The Stage " ; to the informal essays in the third part , " The Classroom , " whose focus is on teaching strategies and actual encounters with students . The scholarly essays of the first ( Continued ...
... criticism of the second section , " The Stage " ; to the informal essays in the third part , " The Classroom , " whose focus is on teaching strategies and actual encounters with students . The scholarly essays of the first ( Continued ...
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... Criticism and interpretation . 2. Shakespeare , William , 1564-1616- Study and teaching . 3. Shakespeare , William , 1564-1616- Dramatic production . I. Homan , Sidney , 1938- PR2976.S33734 1988 822.3'3 ISBN 0-8387-5122-9 ( alk . paper ) ...
... Criticism and interpretation . 2. Shakespeare , William , 1564-1616- Study and teaching . 3. Shakespeare , William , 1564-1616- Dramatic production . I. Homan , Sidney , 1938- PR2976.S33734 1988 822.3'3 ISBN 0-8387-5122-9 ( alk . paper ) ...
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... Critic , but then , just before I left for the People's Republic of China for a summer of teaching Shakespeare at Jilin University and directing The Merry Wives of Wind- sor in Changchun City , he asked if , instead , I would expand the ...
... Critic , but then , just before I left for the People's Republic of China for a summer of teaching Shakespeare at Jilin University and directing The Merry Wives of Wind- sor in Changchun City , he asked if , instead , I would expand the ...
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... person accounts of experience in the theater and the performance criticism of the second section , to the increasingly informal essays in the third section whose focus is on strategies for the classroom and actual encounters Introduction ...
... person accounts of experience in the theater and the performance criticism of the second section , to the increasingly informal essays in the third section whose focus is on strategies for the classroom and actual encounters Introduction ...
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... criticism where the liberal tradition celebrating Pros- pero's benevolent magic has been challenged by political readings that find Shakespeare promoting a " self - deceptive psychology of coloniza- tion . " Like the playwright's own ...
... criticism where the liberal tradition celebrating Pros- pero's benevolent magic has been challenged by political readings that find Shakespeare promoting a " self - deceptive psychology of coloniza- tion . " Like the playwright's own ...
Conteúdo
9 | |
11 | |
Shakespeare and the Triple Play | 23 |
The Study | 25 |
Immortal Money The Merchant of Venice | 27 |
Magic and Politics in The Tempest | 43 |
Between the Mirror and the Face Symbolic Reality in Richard II | 58 |
4 | 76 |
The Camera in Gertrudes Closet | 150 |
The Classroom | 175 |
Intentions Options and Greatness An Example from A Midsummer Nights Dream | 177 |
Actualizing the Metaphor Image and Act in Twelfth Night and King Lear | 187 |
Hamlets First Soliloquy An Exercise | 197 |
Shakespeare Liveon Videotape | 201 |
Students Write about Shakespeare The Triple Play in the College Classroom | 207 |
The Triple Stage and the National Endowment Shakespeare Institute | 215 |
b Shakespeare and the Idea of Nature in the Renaissance | 82 |
Hamlets Fat | 89 |
The Stage | 105 |
Notes on Playing Prospero | 107 |
The Merry Wives of Windsor in the Peoples Republic of China A Directors Notebook | 116 |
Culture Character and Conscience in Shakespeare | 138 |
Afterword | 223 |
Afterword | 225 |
Notes on the Contributors | 231 |
235 | |
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Termos e frases comuns
action actors Alonso Antonio Ariel audience Bassanio become Caliban camera characters classroom Claudius Claudius's closet scene Comedy costumes critics culture death director divine right Dover Wilson downstage drama Egeus Egeus's Elizabethan English essays exit experience Falstaff farce father feel Ferdinand Folio Ford Gertrude Gertrude's Ghost gold Grumio Hamlet Hermia human husband interpretation Jilin University King Lear Lady London look Lysander Macbeth magic marriage melancholy Merchant of Venice Metadrama metaphor Midsummer Night's Dream Miranda mirror moral mother murder nature Olivier onstage performance Petruchio Philostrate play's playwright political Polonius Portia production Prospero Quarto reading reality response Richard Richard II role seems sense sexual Shake Shakespeare Shakespeare's plays Shylock silence Slender speak speare's speech stage suggests symbolic teachers teaching Tempest theater theatrical Theseus Theseus's thou tion tragedy tragic triple play University Press visual William Shakespeare Windsor Wives words York Zhang