Shakespeare and the Triple Play: From Study to Stage to ClassroomSidney Homan Bucknell University Press, 1988 - 239 páginas Developing the interrelationship of Shakespeare scholarship, performance, and teaching, the contributors to this collection, including scholars of the People's Republic of China, share the perspective that Shakespeare's plays be viewed as texts to be enacted, whether on the theater stage or the stage of the mind's eye. |
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... Shakespeare and the Triple Play is from the more formal prose of part one , " The Study , " in which the posture of the writer is that of the scholar encountering Shakespeare's text ; to the first - person accounts of experience in the ...
... Shakespeare and the Triple Play is from the more formal prose of part one , " The Study , " in which the posture of the writer is that of the scholar encountering Shakespeare's text ; to the first - person accounts of experience in the ...
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... Shakespeare Live - on Videotape ROGER GEIMER 201 14 Students Write about Shakespeare : The " Triple Play " in the College Classroom SUZANNE BURR 207 15 The Triple Stage and the National Endowment Shakespeare Institute RONALD SHAFER 215 ...
... Shakespeare Live - on Videotape ROGER GEIMER 201 14 Students Write about Shakespeare : The " Triple Play " in the College Classroom SUZANNE BURR 207 15 The Triple Stage and the National Endowment Shakespeare Institute RONALD SHAFER 215 ...
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... Shakespeare , upon the 416th Anniversary of His Birth From Avon's banks up to the bustling suburbs of London , Industrious WILL , a country youth , you went to be the Poets ' King ; As in the Spring , a bud fresh fast bloomed golden ...
... Shakespeare , upon the 416th Anniversary of His Birth From Avon's banks up to the bustling suburbs of London , Industrious WILL , a country youth , you went to be the Poets ' King ; As in the Spring , a bud fresh fast bloomed golden ...
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... Shakespeare session for the College English Association's national conference to be held in Phila- delphia in April 1986. Not much of a conference goer myself , indeed a wallflower of the worst order at the few I have attended , I ...
... Shakespeare session for the College English Association's national conference to be held in Phila- delphia in April 1986. Not much of a conference goer myself , indeed a wallflower of the worst order at the few I have attended , I ...
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... Shakespearean who boasted that he had never been to the theater , that for him no performance of Shakespeare could ever equal the play as constructed in his own mind . How unfortunate , I thought then . Yet Sherman Hawkins , who writes ...
... Shakespearean who boasted that he had never been to the theater , that for him no performance of Shakespeare could ever equal the play as constructed in his own mind . How unfortunate , I thought then . Yet Sherman Hawkins , who writes ...
Conteúdo
9 | |
11 | |
Shakespeare and the Triple Play | 23 |
The Study | 25 |
Immortal Money The Merchant of Venice | 27 |
Magic and Politics in The Tempest | 43 |
Between the Mirror and the Face Symbolic Reality in Richard II | 58 |
4 | 76 |
The Camera in Gertrudes Closet | 150 |
The Classroom | 175 |
Intentions Options and Greatness An Example from A Midsummer Nights Dream | 177 |
Actualizing the Metaphor Image and Act in Twelfth Night and King Lear | 187 |
Hamlets First Soliloquy An Exercise | 197 |
Shakespeare Liveon Videotape | 201 |
Students Write about Shakespeare The Triple Play in the College Classroom | 207 |
The Triple Stage and the National Endowment Shakespeare Institute | 215 |
b Shakespeare and the Idea of Nature in the Renaissance | 82 |
Hamlets Fat | 89 |
The Stage | 105 |
Notes on Playing Prospero | 107 |
The Merry Wives of Windsor in the Peoples Republic of China A Directors Notebook | 116 |
Culture Character and Conscience in Shakespeare | 138 |
Afterword | 223 |
Afterword | 225 |
Notes on the Contributors | 231 |
235 | |
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Termos e frases comuns
action actors Alonso Antonio Ariel audience Bassanio become Caliban camera characters classroom Claudius Claudius's closet scene Comedy costumes critics culture death director divine right Dover Wilson downstage drama Egeus Egeus's Elizabethan English essays exit experience Falstaff farce father feel Ferdinand Folio Ford Gertrude Gertrude's Ghost gold Grumio Hamlet Hermia human husband interpretation Jilin University King Lear Lady London look Lysander Macbeth magic marriage melancholy Merchant of Venice Metadrama metaphor Midsummer Night's Dream Miranda mirror moral mother murder nature Olivier onstage performance Petruchio Philostrate play's playwright political Polonius Portia production Prospero Quarto reading reality response Richard Richard II role seems sense sexual Shake Shakespeare Shakespeare's plays Shylock silence Slender speak speare's speech stage suggests symbolic teachers teaching Tempest theater theatrical Theseus Theseus's thou tion tragedy tragic triple play University Press visual William Shakespeare Windsor Wives words York Zhang