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schools, libraries, colleges, but will shun the enriching of priests. If, in any manner, he can leave the election and paying of the priest to the people, he will do well. Like the Quakers, he may resist the separation of a class of priests, and create opportunity and expectation in the society, to run to meet natural endowment, in this kind. But, when wealth accrues to a chaplaincy, a bishopric, or rectorship, it requires moneyed men for its stewards, who will give it another direction than to the mystics of their day. Of course, money will do after its kind, and will steadily work to unspiritualize and unchurch the people to whom it was bequeathed. The class certain to be excluded from all preferment are the religiousand driven to other churches ;-which is nature's vis medicatrix.

The curates are ill-paid, and the prelates are overpaid. This abuse draws into the church the children of the nobility, and other unfit persons, who have a taste for expense. Thus a Bishop is only a surpliced merchant. Through his lawn, I can see the bright buttons of the shopman's coat glitter. A wealth like that of Durham makes almost a premium on felony. Brougham, in a speech in the House of Commons on the Irish elective franchise, said, "How will the reverend Bishops of the other house be able to express their due abhorrence of the crime of perjury, who solemnly declare in the presence of God, that when they are called upon to accept a living, perhaps of 4000l. a year, at that very instant, they are moved by the Holy Ghost to accept the office and administration thereof, and for no other reason whatever ?" The modes of initiation are more damaging than custom-house oaths. The Bishop is elected by the Dean and Prebends of the cathedral. The Queen sends these gentlemen a congé d'élire, or leave to elect; but also sends them the name of the person whom they are to elect. They go into the cathedral, chant and pray, and beseech the Holy Ghost to assist them in their choice; and, after these invocations, invariably find that the dictates of the Holy Ghost agree with the recommendations of the Queen.

But you must pay for conformity. All goes well as long as you run with conformists. But you, who are an honest man in other particulars, know that there is alive somewhere a man whose honesty reaches to this point also, that he shall not kneel to false gods, and, on the day when you meet him, you sink into the class of counterfeits. Besides, this succumbing has grave penalties. If you take in a lie, you must take in all that belongs to it. England accepts this ornamented national church, and it glazes the eyes, bloats the flesh, gives the voice a stertorous clang, and clouds the understanding of the receivers.

The English church, undermined by German criticism, had nothing left but tradition, and was led logically back to Romanism. But that was an element which only hot heads could breathe in view of the educated class, generally, it was not a fact to front the sun; and the alienation of such men from the church became complete.

Nature, to be sure, had her remedy. Religious persons are driven out of the Established Church into sects, which instantly rise to credit, and hold the Establishment in check. Nature has sharper remedies also. The English, abhorring change in all things, abhorring it most in matters of religion, cling to the last rag of form, and are dreadfully given to cant. The English (and I wish it were confined to them, but 'tis a taint in the Anglo-Saxon blood in both hemispheres), the English and the Americans cant beyond all other nations. The French relinquish all that industry to them. What is so odious as the polite bows to God, in our books and newspapers? The popular press is flagitious in the exact measure of its sanctimony, and the religion of the day is a theatrical Sinai, where the thunders are supplied by the property man. The fanaticism and hypocrisy create satire. Punch finds an inexhaustible material. Dickens writes novels on Exeter Hall humanity. Thackeray exposes the heartless high life. Nature revenges herself more summarily by the heathenism of the lower classes. Lord Shaftesbury calls the poor thieves together, and reads sermons to them, and they call it 'gas.' George Borrow summons the Gipsies to hear his discourse on the Hebrews in Egypt, and reads to them the Apostles' Creed in Rommany. "When I had concluded," he says, "I looked around me. The features of the assembly were twisted, and the eyes of all turned upon me with a frightful squint: not an individual present but squinted; the genteel Pepa, the goodhumoured Chicharona, the Cosdami, all squinted: the Gipsy jockey squinted worst of all.”

The church at this moment is much to be pitied. She has nothing left but possession. If a Bishop meets an intelligent gentleman, and reads fatal interrogations in his eyes, he has no resource but to take wine with him. False position introduces cant, perjury, simony, and ever a lower class of mind and character into the clergy: and, when the hierarchy is afraid of science and education, afraid of piety, afraid of tradition, and afraid of theology, there is nothing left but to quit a church which is no longer one.

But the religion of England,-is it the Established Church? no; is it the sects? no; they are only perpetuations of some private man's dissent, and are to the Established Church as cabs are to a coach, cheaper and more convenient, but really

the same thing. Where dwells the religion? Tell me first where dwells electricity, or motion, or thought, or gesture. They do not dwell or stay at all. Electricity cannot be made fast, mortared up and ended, like London Monument, or the Tower, so that you shall know where to find it, and keep it fixed, as the English do with their things, for evermore; it is passing, glancing, gesticular; it is a traveller, a newness, a surprise, a secret, which perplexes them, and puts them out. Yet, if religion be the doing of all good, and for its sake the suffering of all evil, souffrir de tout le monde et ne faire souffrir personne, that divine secret has existed in England from the days of Alfred to those of Romilly, of Clarkson, and of Florence Nightingale, and in thousands who have no fame.

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XIV.-LITERATURE.

STRONG common sense, which it is not easy to unseat or disturb, marks the English mind for a thousand years: a rude strength newly applied to thought, as of sailors and soldiers who had lately learnt to read, They have no fancy, and never are surprised into a covert or witty word, such as pleased the Athenians and Italians, and was convertible into a fable not long after; but they delight in strong earthy expression, not mistakeable, coarsely true to the human body, and, though spoken among princes, equally fit and welcome to the mob. This homeliness, veracity, and plain style, appear in the earliest extant works, and in the latest. It imports into songs and ballads the smell of the earth, the breath of cattle, and, like a Dutch painter, seeks a household charm, though by pails and pans. They ask their constitutional utility in verse. The kail and herrings are never out of sight. The poet nimbly recovers himself from every sally of the imagination. The English muse loves the farmyard, the lane, and market. She says, with De Stael, "I tramp in the mire with wooden shoes, whenever they would force me into the clouds." For, the Englishman has accurate perceptions; takes hold of things by the right end, and there is no slipperiness in his grasp. He loves the axe, the spade, the oar, the gun, the steampipe: he has built the engine he uses. He is materialist, economical, mercantile. He must be treated with sincerity and reality, with muffins, and not the promise of muffins; and prefers his hot chop, with perfect security and convenience in the eating of it, to the chances of the amplest and Frenchiest bill of farc, engraved on embossed paper. When he is intellectual, and a

poet or philosopher, he carries the same hard truth and the same keen machinery into the mental sphere. His mind must stand on a fact. He will not be baffled, or catch at clouds, but the mind must have a symbol palpable and resisting. What he relishes in Dante is the vice-like tenacity with which he holds a mental image before the eyes, as if it were a scutcheon painted on a shield. Byron "liked something craggy to break his mind upon." A taste for plain strong speech, what is called a biblical style, marks the English. It is in Alfred, and the Saxon Chronicle, and in the Sagas of the Northmen. Latimer was homely. Hobbes was perfect in the "noble vulgar speech." Donne, Bunyan, Milton, Taylor, Evelyn, Pepys, Hooker, Cotton, and the translators, wrote it. How realistic or materialistic in treatment of his subject is Swift. He describes his fictitious persons as if for the police. Defoe has no insecurity or choice. Hudibras has the same hard mentality, keeping the truth at once to the senses, and to the intellect.

It is not less seen in poetry. Chaucer's hard painting of his Canterbury pilgrims satisfies the senses. Shakespeare, Spenser, and Milton, in their loftiest ascents, have this national grip and exactitude of mind. This mental materialism makes the value of English transcendental genius; in these writers, and in Herbert, Henry More, Donne, and Sir Thomas Browne. The Saxon materialism and narrowness, exalted into the sphere of intellect, makes the very genius of Shakespeare and Milton. When it reaches the pure element, it treads the clouds as securely as the adamant. Even in its elevations, materialistic, its poetry is common sense inspired; or iron raised to white heat.

The marriage of the two qualities is in their speech. It is a tacit rule of the language to make the frame or skeleton, of Saxon words, and, when elevation or ornament is sought, to interweave Roman; but sparingly; nor is a sentence made of Roman words alone, without loss of strength. The children and labourers use the Saxon unmixed. The Latin unmixed is

abandoned to the colleges and Parliament. Mixture is a secret of the English island; and, in their dialect, the male principle is the Saxon; the female, the Latin; and they are combined in every discourse. A good writer, if he has indulged in a Roman roundness, makes haste to chasten and nerve his period by English monosyllables.

When the Gothic nations came into Europe, they found it lighted with the sun and moon of Hebrew and of Greek genius. The tablets of their brain, long kept in the dark, were finely sensible to the double glory. To the images from this twin source (of Christianity and art), the mind became

fruitful as by the incubation of the Holy Ghost. The English mind flowered in every faculty. The common-sense was surprised and inspired. For two centuries, England was philosophic, religious, poetic. The mental furniture seemed of larger scale; the memory capacious like the storehouse of the rains; the ardour and endurance of study; the boldness and facility of their mental construction; their fancy, and imagination, and easy spanning of vast distances of thought; the enterprise or accosting of new subjects; and, generally, the easy exertion of power, astonish, like the legendary feats of Guy of Warwick. The union of Saxon precision and oriental soaring, of which Shakespeare is the perfect example, is shared in less degree by the writers of two centuries. find not only the great masters out of all rivalry and reach, but the whole writing of the time charged with a masculine force and freedom.

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There is a hygienic simpleness, rough vigour, and closeness to the matter in hand, even in the second and third class of writers; and, I think, in the common style of the people, as one finds it in the citation of wills, letters, and public documents, in proverbs, and forms of speech. The more hearty and sturdy expression may indicate that the savageness of the Norseman was not all gone. Their dynamic brains hurled off their words, as the revolving stone hurls off scraps of grit. I could cite from the seventeenth century sentences and phrases of edge not to be matched in the nineteenth. Their poets by simple force of mind equalized themselves with the accumulated science of ours. The country gentlemen had a posset or drink they called October; and the poets, as if by this hint, knew how to distil the whole season into their autumnal verses: and, as nature, to pique the more, sometimes works up deformities into beauty, in some rare Aspasia, or Cleopatra; and, as the Greek art wrought many a vase or column, in which too long, or too lithe, or nodes, or pits and flaws, are made a beauty of; so these were so quick and vital, that they could charm and enrich by mean and vulgar objects.

A man must think that age well taught and thoughtful, by which masques and poems, like those of Ben Jonson, full of heroic sentiment in a manly style, were received with favour. The unique fact in literary history, the unsurprised reception of Shakespeare;-the reception proved by his making his fortune; and the apathy proved by the absence of all contemporary panegyric, -seems to demonstrate an elevation in the mind of the people. Judge of the splendour of a nation, by the insignificance of great individuals in it. The manner in which they learned Greek and Latin, before our modern

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