Voices in Translation: Bridging Cultural DividesGunilla M. Anderman Multilingual Matters, 2007 - 160 páginas In choosing to render dialect and vernacular speech into Scots, Bill Findlay, to whose memory this volume is dedicated, made a pioneering contribution in safeguarding the authenticity of voices in translation. The scene of the book is set by an overview of approaches to rendering foreign voices in English translation including those of the people to whom Findlay introduced us in his Scots dialect versions of European plays. Martin Bowman, his frequent co-translator follows with a discussion of their co-translation of playwright Jeanne-Mance Delisle. Different ways of bridging the cultural divide in the translation between English and a number of plays written in a number of European languages are then illustrated including the custom of creating English versions, an approach rejected by contributions that argue in favour of minimal intervention on the part of the translator. But transferring the social and cultural milieu that the speakers of other languages inhabit may also cause problems in translation, as discussed by some translators of fiction. In addition attention is drawn to the translators' own attitude and the influence of the time in which they live. In conclusion, stronger forces in the form of political events are highlighted that may also, adversely or positively, have a bearing on the translation process. |
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... countries , speakers still have a voice of their own for which writers have a finely attuned ear . And when the work ... country in which they form part of everyday life . This volume focuses on two problems that face the translator of ...
... countries for various reasons , particularly because of their documentary or didactic structure , which makes them difficult to transpose to foreign countries . The world resonance of Mother Courage , the fact that , rather than being ...
... countries . Standard Italian only latterly achieved the primacy of place in Italy that the national language had long enjoyed in other European countries . It is acceptable to perform or write all over Italy in Neapolitan or Venetian ...
Conteúdo
Gunilla Anderman | 6 |
The Vernacular Journey | 16 |
Drama in Scots Translation | 32 |
Direitos autorais | |
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