Voices in Translation: Bridging Cultural DividesGunilla M. Anderman Multilingual Matters, 2007 - 160 páginas In choosing to render dialect and vernacular speech into Scots, Bill Findlay, to whose memory this volume is dedicated, made a pioneering contribution in safeguarding the authenticity of voices in translation. The scene of the book is set by an overview of approaches to rendering foreign voices in English translation including those of the people to whom Findlay introduced us in his Scots dialect versions of European plays. Martin Bowman, his frequent co-translator follows with a discussion of their co-translation of playwright Jeanne-Mance Delisle. Different ways of bridging the cultural divide in the translation between English and a number of plays written in a number of European languages are then illustrated including the custom of creating English versions, an approach rejected by contributions that argue in favour of minimal intervention on the part of the translator. But transferring the social and cultural milieu that the speakers of other languages inhabit may also cause problems in translation, as discussed by some translators of fiction. In addition attention is drawn to the translators' own attitude and the influence of the time in which they live. In conclusion, stronger forces in the form of political events are highlighted that may also, adversely or positively, have a bearing on the translation process. |
De dentro do livro
Resultados 1-3 de 11
... artistic satisfactions . It said : We will show you your own life translated into drama , and make you sit up , and look at it , and realise it as you have never done before . [ .. ] I have seen most of the great Abbey plays in the ...
... artistic collaboration between Turin and Glasgow . While The Odyssey would not be classified as political according to traditional notions of political theatre , its political meaning and efficacy were testified by the audience response ...
... artistic identity , in Gell ́s ( 1998 : 250 ) phrase ' a place where agency " stops " and assumes visible form ' . In other words , the particularity , for example , of a theatre text is inseparable from the way in which that text ...
Conteúdo
Gunilla Anderman | 6 |
The Vernacular Journey | 16 |
Drama in Scots Translation | 32 |
Direitos autorais | |
5 outras seções não mostradas