Unending Design: The Forms of Postmodern PoetryCornell University Press, 23 de abr. de 1991 - 314 páginas Drawing on the work of contemporary American poets from Ashbery to Zukofsky, Joseph M. Conte elaborates an innovative typology of postmodern poetic forms. In Conte's view, looking at recent poetry in terms of the complementary methods of seriality and proceduralism offers a rewarding alternative to the familiar analytic dichotomy of "open" and "closed" forms. |
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aleatory American Poetry Ashbery's Blackburn Bronk Cage Cage's canon Charles Olson claims closed forms closure Collected Poems composition concept constant contemporary context contiguity couplet Creeley's Discrete Series disjunct elements end-words epic Excerpts finite series formal fugal fugue function genre George Oppen Harry Mathews infinite interview Jack Spicer John Ashbery John Cage Kees lexical linguistic literary Lorine Niedecker Louis Zukofsky lyric mantis Mathews's meaning mesostics metaphor metonymic modern modernist Niedecker's Objectivist Olson organic Oulipian Oulipo pantoum paradigmatic Passages phrase poem's poet's poetic form postmodern postmodern poets Pound predetermined form procedural form reader recurrence relation repetition rhetorical rhyme Robert Creeley Robert Duncan Roland Barthes second stanza semantic sequence serial form sestina shift significant sonnet speaker Spicer strophe structure syntactical syntagmatic theme thing tion traditional forms University Press variation verse Weldon Kees William Bronk words York Zukofsky's