Architectural Forms and Philosophical StructuresPeter Lang, 2003 - 276 páginas Architectural Forms and Philosophical Structures examines architectural and architectonic forms as products of philosophical and epistemological structures in selected cultures and time periods, and analyzes architecture as a text of its culture. Relations between architectural forms and philosophical structures are explored in Western civilization, beginning in Egypt and Greece and culminating in twentieth-century Europe and America. Architecture, like all forms of artistic expression, is interwoven with the beliefs and the structures of knowledge of its culture. |
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Página 128
... object , and the thought or mental image , the interiority , of the object . In the expansion of the boundaries of perspectival manipulation in the Carceri , Piranesi violated the laws of perspective in construction , in the spirit of ...
... object , and the thought or mental image , the interiority , of the object . In the expansion of the boundaries of perspectival manipulation in the Carceri , Piranesi violated the laws of perspective in construction , in the spirit of ...
Página 187
... object in perspectival con- struction are a manifestation of a death drive , tending towards entropy and stasis . The death instinct is a biological factor , implicated in desire . The body of the human being must die because it has ...
... object in perspectival con- struction are a manifestation of a death drive , tending towards entropy and stasis . The death instinct is a biological factor , implicated in desire . The body of the human being must die because it has ...
Página 204
... object can no longer be seen as an isolated unit , but must be considered within the context of changes in time and ... object , if not more so , because the object breathes into the surrounding and also inhales the Figure 14 : Frederick ...
... object can no longer be seen as an isolated unit , but must be considered within the context of changes in time and ... object , if not more so , because the object breathes into the surrounding and also inhales the Figure 14 : Frederick ...
Conteúdo
Architecture and Cosmology in Ancient Egypt | 5 |
Architecture and Cosmology in Ancient Greece | 35 |
Francesco Borromini and the Construction of Meaning | 51 |
Direitos autorais | |
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Termos e frases comuns
abstraction Amon Ancient Ancient Egypt architect architectural forms Athanasius Kircher Baroque architecture Bernardo Vittone body Cabinet of Doctor Caillois Carceri Carlo alle Quattro celestial chaos circle columns combination conception consciousness corresponds cosmology created cupola Cusanus darkness described divine Doctor Caligari dream earth Egypt Egyptian elements enacted Endless House Ennead experience Ficino Francesco Borromini Frederick Kiesler Freud geometrical Georges Bataille Gilles Deleuze goddess gods Gothic Guarini Guarino Guarini Hathor heavens Hermes hierarchy Horus human Ibid images infinite inner inscribed Jacques Lacan Kiesler Kircher labyrinth Lacan laceration lantern Leibniz light manifest material mathematical mind monad Monadology multiplicity nature Neoplatonic Osiris perception perspectival construction philosophical Piranesi Plato primordial principle process of creation psychophysiological space pyramid Quattro Fontane rational reality realm relation representation represented Rome sensation signifying structure soul spatial sublime substance symbol temple tetractys thought tion transgression triangles unconscious unity universe Vathek Visions of Excess visual Vittone