Architectural Forms and Philosophical StructuresPeter Lang, 2003 - 276 páginas Architectural Forms and Philosophical Structures examines architectural and architectonic forms as products of philosophical and epistemological structures in selected cultures and time periods, and analyzes architecture as a text of its culture. Relations between architectural forms and philosophical structures are explored in Western civilization, beginning in Egypt and Greece and culminating in twentieth-century Europe and America. Architecture, like all forms of artistic expression, is interwoven with the beliefs and the structures of knowledge of its culture. |
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Página 45
... according to Pliny , as well as by Thales , according to Cicero . Nevertheless , a round celestial vault is not represented in surviving classical Greek architecture , though it would be in classical Rome , as at the Pantheon . 9,16 The ...
... according to Pliny , as well as by Thales , according to Cicero . Nevertheless , a round celestial vault is not represented in surviving classical Greek architecture , though it would be in classical Rome , as at the Pantheon . 9,16 The ...
Página 106
... according to natural laws , as Plotinus adopted the Stoic conception of the sensible world as a living organism . According to Anna Teresa Tymieniecka , for Leibniz the emphasis is on the " continuity of the discreetness of the universe ...
... according to natural laws , as Plotinus adopted the Stoic conception of the sensible world as a living organism . According to Anna Teresa Tymieniecka , for Leibniz the emphasis is on the " continuity of the discreetness of the universe ...
Página 182
... according to Lacan in The Four Fundamental Concepts of Psycho - Analysis . According to Lacan , nature pro- vides signifiers , and the signifiers organize human relations in a creative way , as in dream - content . The unconscious is ...
... according to Lacan in The Four Fundamental Concepts of Psycho - Analysis . According to Lacan , nature pro- vides signifiers , and the signifiers organize human relations in a creative way , as in dream - content . The unconscious is ...
Conteúdo
Architecture and Cosmology in Ancient Egypt | 5 |
Architecture and Cosmology in Ancient Greece | 35 |
Francesco Borromini and the Construction of Meaning | 51 |
Direitos autorais | |
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Termos e frases comuns
abstraction Amon Ancient Ancient Egypt architect architectural forms Athanasius Kircher Baroque architecture Bernardo Vittone body Cabinet of Doctor Caillois Carceri Carlo alle Quattro celestial chaos circle columns combination conception consciousness corresponds cosmology created cupola Cusanus darkness described divine Doctor Caligari dream earth Egypt Egyptian elements enacted Endless House Ennead experience Ficino Francesco Borromini Frederick Kiesler Freud geometrical Georges Bataille Gilles Deleuze goddess gods Gothic Guarini Guarino Guarini Hathor heavens Hermes hierarchy Horus human Ibid images infinite inner inscribed Jacques Lacan Kiesler Kircher labyrinth Lacan laceration lantern Leibniz light manifest material mathematical mind monad Monadology multiplicity nature Neoplatonic Osiris perception perspectival construction philosophical Piranesi Plato primordial principle process of creation psychophysiological space pyramid Quattro Fontane rational reality realm relation representation represented Rome sensation signifying structure soul spatial sublime substance symbol temple tetractys thought tion transgression triangles unconscious unity universe Vathek Visions of Excess visual Vittone