breaking the apparition of a horse; and multitudes employing themselves upon ingenious handicrafts with the souls of departed utensils, for that is the name which in the Indian language they give their tools when they are burnt or broken. As he travelled through this delightful scene he was very often tempted to pluck the flowers that rose everywhere about him in the greatest variety and profusion, having never seen several of them in his own country: but he quickly found, that though they were objects of his sight, they were not liable to his touch. He at length came to the side of a great river, and, being a good fisherman himself, stood upon the banks of it some time to look upon an angler that had taken a great many shapes of fishes, which lay flouncing up and down by him.

I should have told my reader that this Indian had been formerly married to one of the greatest beauties of his country, by whom he had several children. This couple were so famous for their love and constancy to one another that the Indians to this day, when they give a married man joy of his wife, wish that they may live together like Marraton and Yaratilda. Marraton had not stood long by the fisherman when he saw the shadow of his beloved Yaratilda, who had for some time fixed her eye upon him before he discovered her. Her arms were stretched out towards him; floods of tears ran down her eyes; her looks, her hands, her voice called him over to her, and, at the same time,

seemed to tell him that the river was unpassable. Who can describe the passion made up of joy, sorrow, love, desire, astonishment that rose in the Indian upon the sight of his dear Yaratilda? He could express it by nothing but his tears, which ran like a river down his cheeks as he looked upon her. He had not stood in this posture long before he plunged into the stream that lay before him, and finding it to be nothing but the phantom of a river, stalked on the bottom of it till he arose on the other side. At his approach Yaratilda flew into his arms, whilst Marraton wished himself disencumbered of that body which kept her from his embraces. After many questions and endearments on both sides, she conducted him to a bower, which she had dressed with her own hands with all the ornaments that could be met with in those blooming regions. She had made it gay beyond imagination, and was every day adding something new to it. As Marraton stood astonished at the unspeakable beauty of her habitation, and ravished with the fragrancy that came from every part of it, Yaratilda told him that she was preparing this bower for his reception, as well knowing that his piety to his God, and his faithful dealing towards men, would certainly bring him to that happy place whenever his life should be at an end. She then brought two of her children to him, who died some years before, and resided with her in the same delightful bower, advising him to breed up those others

which were still with him in such a manner that they might hereafter all of them meet together in this happy place.

The tradition tells us further that he had afterwards a sight of those dismal habitations which are the portion of ill men after death; and mentions several molten seas of gold, in which were plunged the souls of barbarous Europeans, who put to the sword so many thousands of poor Indians for the sake of that precious metal. But having already touched upon the chief points of this tradition, and exceeded the measure of my paper, I shall not give any further account of it.

SIX PAPERS ON WIT.

Ut pictura poësis erit—

HOR., Ars Poet. 361,

Poems like pictures are.

NOTHING is so much admired, and so little understood, as wit. No author that I know of has written professedly upon it. As for those who make any mention of it, they only treat on the subject as it has accidentally fallen in their way, and that too in little short reflections, or in general declamatory flourishes, without entering into the bottom of the matter. I hope, therefore, I shall perform an acceptable work to my country

men if I treat at large npon this subject; which I shall endeavour to do in a manner suitable to it, that I may not incur the censure which a famous critic bestows upon one who had written a treatise upon "the sublime," in a low grovelling style. I intend to lay aside a whole week for this undertaking, that the scheme of my thoughts may not be broken and interrupted; and I dare promise myself, if my readers will give me a week's attention, that this great city will be very much changed for the better by next Saturday night. I shall endeavour to make what I say intelligible to ordinary capacities; but, if my readers meet with any paper that in some parts of it may be a little out of their reach, I would not have them discouraged, for they may assure themselves the next shall be much clearer.

As the great and only end of these my speculations is to banish vice and ignorance out of the territories of Great Britain, I shall endeavour, as much as possible, to establish among us a taste of polite writing. It is with this view that I have endeavoured to set my readers right in several points relating to operas and tragedies, and shall, from time to time, impart my notions of comedy, as I think they may tend to its refinement and perfection. I find by my bookseller, that these papers of criticism, with that upon humour, have met with a more kind reception than indeed I could have hoped for from such subjects; for which

reason I shall enter upon my present undertaking with greater cheerfulness.

In this, and one or two following papers, I shall trace out the history of false wit, and distinguish the several kinds of it as they have prevailed in different ages of the world. This I think the more necessary at present, because I observed there were attempts on foot last winter to revive some of those antiquated modes of wit that have been long exploded out of the commonwealth of letters. There were several satires and panegyrics handed about in an acrostic, by which means some of the most arrant undisputed blockheads about the town began to entertain ambitious thoughts, and to set up for polite authors. I shall therefore describe at length those many arts of false wit, in which a writer does not show himself a man of a beautiful genius, but of great industry.

The first species of false wit which I have met with is very venerable for its antiquity, and has produced several pieces which have lived very near as long as the "Iliad" itself: I mean, those short poems printed among the minor Greek poets, which resemble the figure of an egg, a pair of wings, an axe, a shepherd's pipe, and an altar.

As for the first, it is a little oval poem, and may not improperly be called a scholar's egg. I would endeavour to hatch it, or, in more intelligible language, to translate it into English, did not I find the