A Rhetorical Grammar: In which the Common Improprieties in Reading and Speaking are Detected ..T. Cadell, 1823 - 373 páginas |
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Página x
... Direct Period with Two Conjunc- tions .... Direct Period with One Conjunction ... Inverted Period ... Loose Sentence Orthoëpial Figures , or Figures of Pronunciation .... 39 • 41 48 53 ib . 57 ib . 59 60 71 73 76 78 80 ib . 83 86 87 90 ...
... Direct Period with Two Conjunc- tions .... Direct Period with One Conjunction ... Inverted Period ... Loose Sentence Orthoëpial Figures , or Figures of Pronunciation .... 39 • 41 48 53 ib . 57 ib . 59 60 71 73 76 78 80 ib . 83 86 87 90 ...
Página 40
... direct us to pauses , which are entirely unknown to every system of punctuation in use . But though the punctuation in use does not answer all the purposes of reading and speaking , it must , nevertheless , be allowed to be of consi ...
... direct us to pauses , which are entirely unknown to every system of punctuation in use . But though the punctuation in use does not answer all the purposes of reading and speaking , it must , nevertheless , be allowed to be of consi ...
Página 54
... direct period : the second kind of period , or compact sentence , is that , where , though the first part forms sense without the latter , it is ne- vertheless modified by it ; as in the following sentence : There are several arts ...
... direct period : the second kind of period , or compact sentence , is that , where , though the first part forms sense without the latter , it is ne- vertheless modified by it ; as in the following sentence : There are several arts ...
Página 57
... direct period consists of two principal constructive parts , between which parts the greater pause must be inserted : when these parts commence with conjunctions that correspond with each other , they are sufficiently distinguishable ...
... direct period consists of two principal constructive parts , between which parts the greater pause must be inserted : when these parts commence with conjunctions that correspond with each other , they are sufficiently distinguishable ...
Página 59
... direct or inverted , and an ad- ditional member which does not modify it ; and , consequently , this species of sentence requires a pause between the principal constructive parts of the period , and between the period and the additional ...
... direct or inverted , and an ad- ditional member which does not modify it ; and , consequently , this species of sentence requires a pause between the principal constructive parts of the period , and between the period and the additional ...
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Outras edições - Ver todos
A Rhetorical Grammar: In Which Improprieties in Reading and Speaking Are ... John Walker Prévia não disponível - 2018 |
A Rhetorical Grammar: In Which the Common Improprieties in Reading and ... John Walker Prévia não disponível - 2018 |
A Rhetorical Grammar: In Which Improprieties in Reading and Speaking Are ... John Walker Prévia não disponível - 2015 |
Termos e frases comuns
accent agreeable arguments arise Asyndeton attention beauty beginning blank verse Cæsar Cæsura called character Cicero circumflex Clodius common composition consider Demosthenes depends discourse distinct distinguished Elements of Elocution emphasis emphatic words endeavour example express falling inflexion figure flexion following sentence force former give higher tone honour Ibid idea inflexion of voice instance interrogative interrogative words Julius Cæsar kind language latter likewise long pause lower tone manner mark Mark Antony meaning Milo mind monotone nature necessary neral nounced nunciation object observed orator ornament particular passage passion perly person phatical Polysyndeton Pompey principal pronounced pronunciation proper propriety prose punctuation question Quintilian quires reader reading reason requires Rhetoric rhyme rising inflexion Roman rule says slide sound speaker speaking Spect Spectator style syllable tence thing thou tion tone of voice unaccented variety verb verse virtue vowels whole writing
Passagens mais conhecidas
Página 217 - And, when the sun begins to fling His flaring beams, me, Goddess, bring To arched walks of twilight groves, And shadows brown, that Sylvan loves, Of pine, or monumental oak, Where the rude axe with heaved stroke Was never heard the Nymphs to daunt, Or fright them from their hallowed haunt.
Página 31 - O thou that, with surpassing glory crowned, Look'st from thy sole dominion like the god Of this new World — at whose sight all the stars Hide their diminished heads — to thee I call, But with no friendly voice, and add thy name, 0 Sun, to tell thee how I hate thy beams...
Página 135 - One morn I missed him on the customed hill, Along the heath and near his fav'rite tree; Another came; nor yet beside the rill, Nor up the lawn, nor at the wood was he; 'The next with dirges due in sad array Slow through the church-way path we saw him borne. Approach and read (for thou canst read) the lay Graved on the stone beneath yon aged thorn:' THE EPITAPH Here rests his head upon the lap of Earth A Youth to Fortune and to Fame unknown.
Página 154 - Of all the causes which conspire to blind Man's erring judgment, and misguide the mind, What the weak head with strongest bias rules, Is pride, the never-failing vice of fools.
Página 168 - When the proud steed shall know why man restrains His fiery course, or drives him o'er the plains ; When the dull ox, why now he breaks the clod, Is now a victim, and now Egypt's god : Then shall man's pride and dulness comprehend His actions', passions', being's use and end ; Why doing, suffering, check'd, impell'd; and why This hour a slave, the next a deity.
Página 168 - Vice is a monster of so frightful mien, As, to be hated, needs but to be seen; Yet seen too oft, familiar with her face, We first endure, then pity, then embrace.
Página 236 - Annual for me, the grape, the rose renew The juice nectareous, and the balmy dew; For me, the mine a thousand treasures brings; For me, health gushes from a thousand springs; Seas roll to waft me, suns to light me rise; My foot-stool earth, my canopy the skies.
Página 133 - Tis hard to say, if greater want of skill Appear in writing or in judging ill ; But, of the two, less dangerous is the offence To tire our patience, than mislead our sense. Some few in that, but numbers err in this ; Ten censure wrong for one who writes amiss : A fool might once himself alone expose : Now one in verse makes many more in prose.
Página 166 - Were we to press, inferior might on ours: Or in the full creation leave a void, Where, one step broken, the great scale's destroy'd: From Nature's chain whatever link you strike, Tenth or ten thousandth, breaks the chain alike. And, if each system in gradation roll Alike essential to th' amazing Whole, The least confusion but in one, not all That system only, but the Whole must fall.
Página 170 - Full many a gem of purest ray serene The dark unfathom'd caves of ocean bear : Full many a flower is born to blush unseen, And waste its sweetness on the desert air. Some village- Hampden, that, with dauntless breast, The little tyrant of his fields withstood, Some mute inglorious Milton here may rest, Some Cromwell guiltless of his country's blood. Th...