The Works of Shakespeare, Band 1Macmillan and Company, limited, 1899 |
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Seite 4
... ' No one , ' says Goethe , ' could have been better qualified to enter into and reproduce all the eccentricities and vagaries of Shakespeare's genius . ' tions ' of 1597 have , doubtless , removed many 4 Love's Labour's Lost.
... ' No one , ' says Goethe , ' could have been better qualified to enter into and reproduce all the eccentricities and vagaries of Shakespeare's genius . ' tions ' of 1597 have , doubtless , removed many 4 Love's Labour's Lost.
Seite 22
... Enter ARMADO and MOTH . Arm . Boy , what sign is it when a man of great spirit grows melancholy ? Moth . A great sign , sir , that he will look sad . Arm . Why , sadness is one and the self - same thing , dear imp . Moth . No , no ; O ...
... Enter ARMADO and MOTH . Arm . Boy , what sign is it when a man of great spirit grows melancholy ? Moth . A great sign , sir , that he will look sad . Arm . Why , sadness is one and the self - same thing , dear imp . Moth . No , no ; O ...
Seite 26
... Enter DULL , Costard , and Jaquenetta . Dull . Sir , the duke's pleasure is , that you keep Costard safe : and you must suffer him to III . owe , own . native , by nature . 130 121. digression , transgression . 123. rational hind , a ...
... Enter DULL , Costard , and Jaquenetta . Dull . Sir , the duke's pleasure is , that you keep Costard safe : and you must suffer him to III . owe , own . native , by nature . 130 121. digression , transgression . 123. rational hind , a ...
Seite 28
... - ler . 190. turn sonnet , so Qq and Ff . Probably an Armadoism for ' sonneter , ' which Capell 185. duello , laws of duelling . proposed to substitute . ACT II . SCENE I. The same . Enter the 28 Love's Labour's Lost ACT I.
... - ler . 190. turn sonnet , so Qq and Ff . Probably an Armadoism for ' sonneter , ' which Capell 185. duello , laws of duelling . proposed to substitute . ACT II . SCENE I. The same . Enter the 28 Love's Labour's Lost ACT I.
Seite 29
William Shakespeare Charles Harold Herford. ACT II . SCENE I. The same . Enter the Princess of France , ROSALINE , MARIA , KATHARINE , BOYET , Lords , and other At- tendants . Boyet . Now , madam , summon up your dear- est spirits ...
William Shakespeare Charles Harold Herford. ACT II . SCENE I. The same . Enter the Princess of France , ROSALINE , MARIA , KATHARINE , BOYET , Lords , and other At- tendants . Boyet . Now , madam , summon up your dear- est spirits ...
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WORKS OF SHAKESPEARE William 1564-1616 Shakespeare,C. H. (Charles Harold) 1853-19 Herford Keine Leseprobe verfügbar - 2016 |
Häufige Begriffe und Wortgruppen
Antipholus Armado Biron Boyet chain comedy Comedy of Errors Cost Costard dear Demetrius dost thou doth dream Dromio Duke Dull Enter Ephesus Exeunt Exit eyes F. W. H. MYERS fair fairy father favour fear fool forsworn gentle Gentlemen give gone grace hath hear heart heaven Helena hence Hermia Hippolyta Julia Kath King lady Launce letter lion Longaville look lord Love's Labour's Lost lovers Lysander madam Marry master merry mistress moon Moth Navarre never night oath Oberon play Pompey pray princess Proteus Puck Pyramus Quin Re-enter Rosaline SCENE Shakespeare Silvia Sir Proteus sleep speak Speed stay sweet Syracuse tears tell thee Theseus thing Thisby thou art thou hast Thurio Tita Titania tongue true unto Valentine villain wench wife word ΙΟ
Beliebte Passagen
Seite 120 - Tu-who, a merry note, While greasy Joan doth keel the pot. When all aloud the wind doth blow And coughing drowns the parson's saw And birds sit brooding in the snow And Marian's nose looks red and raw, When roasted crabs hiss in the bowl, Then nightly sings the staring owl, Tu-whit ; Tu-who, a merry note, While greasy Joan doth keel the pot Arm.
Seite 331 - Yet mark'd I where the bolt of Cupid fell : It fell upon a little western flower, Before milk-white, now purple with love's wound, And maidens call it love-in-idleness.
Seite 31 - Biron they call him ; but a merrier man, Within the limit of becoming mirth, I never spent an hour's talk withal : His eye begets occasion for his wit ; For every object that the one doth catch, The other turns to a mirth-moving jest ; Which his fair tongue (conceit's expositor,) Delivers in such apt and gracious words, That aged ears play truant at his tales, And younger hearings are quite ravished ; So sweet and voluble is his discourse.
Seite 119 - Cuckoo, cuckoo : O word of fear, Unpleasing to a married ear ! When shepherds pipe on oaten straws, And merry larks are ploughmen's clocks, When turtles tread, and rooks, and daws, And maidens bleach their summer smocks, The cuckoo then, on every tree, Mocks married men ; for thus sings he, Cuckoo ; Cuckoo, cuckoo...
Seite 325 - Over hill, over dale, Thorough bush, thorough brier, Over park, over pale, Thorough flood, thorough fire, I do wander every where, Swifter than the moon's sphere; And I serve the fairy queen, To dew her orbs upon the green. The cowslips tall her pensioners be: In their gold coats spots you see; Those be rubies, fairy favours, In those freckles live their savours: I must go seek some dewdrops here, And hang a pearl in every cowslip's ear.
Seite 376 - More strange than true : I never may believe These antique fables nor these fairy toys. Lovers and madmen have such seething brains, Such shaping fantasies, that apprehend More than cool reason ever comprehends. The lunatic, the lover, and the poet Are of imagination all compact.
Seite 272 - Who is Silvia ? what is she, That all our swains commend her ? Holy, fair, and wise is she, The heaven such grace did lend her, That she might admired be. Is she kind as she is fair ? For beauty lives with kindness : Love doth to her eyes repair, To help him of his blindness ; And, being help'd, inhabits there. Then to Silvia let us sing, That Silvia is excelling : She excels each mortal thing, Upon the dull earth dwelling : To her let us garlands bring.