Desiring Voices: Women Sonneteers and PetrarchismSIU Press, 2000 - 290 páginas "How do I love thee? Let me count the ways," wrote Elizabeth Barrett Browning in her Sonnets from the Portuguese.Desiring Voices: Women Sonneteers and Petrarchism proposes that we attend to the ways that women poets from the sixteenth through the twentieth centuries have both echoed and transformed the literary and erotic conventions that strongly influenced their fates as women, wives, and lovers. Mary B. Moore analyzes and provides context for love sonnet sequences by Italian, French, English, and American women poets in the light of current knowledge concerning attitudes towards women at the time they wrote. Through close readings of the poems combined with theory and criticism about constructs of women, historical events, and biographical contexts, Moore reveals patterns of revision among women poets that shed further light on the poets themselves, on Petrarchism as a convention, and on ideas about women. She focuses on Petrarchan sonnet sequences by women because the poems serve both as works of art and as documents that illuminate the range and limitations of female roles as erotic subjects (agents of speech, action, knowledge, and desire) as well as their more usual roles as erotic objects. Combining theory with close reading, Moore enhances the value of many generally neglected poems by women. After a thorough discussion of the Petrarchan sonnet tradition, she analyzes the work of Gaspara Stampa, Louise Labé, Lady Mary Wroth, Charlotte Smith, Elizabeth Barrett Browning, and Edna St. Vincent Millay. |
De dentro do livro
Resultados 1-5 de 42
... Vision and Forms Edited by Kathryn VanSpanckeren and Jan Garden Castro He Knew She Was Right The Independent Woman in the Novels of Anthony Trollope By Jane Nardin The Woman and the Lyre Women Writers in Classical Greece and Rome By ...
... vision . Instead , she is most often the mirroring eye ab- sorbed , conquered , and eye - dealized in the conventional tropes of male - authored Petrarchism . The epigraph above from Louise Labé , a sixteenth - century French sonneteer ...
... vision , and knowledge , which is the sense in which I use the term subjectivity throughout this study.14 Petrarch complicates his speaker's subjectivity from the poems ' be- ginning moral and epistemological errors undermine self ...
Women Sonneteers and Petrarchism Mary B. Moore. Petrarch's complex vision must have invited and even helped to authorize women's imitations . Despite , or perhaps because of , its complexities and contradic- tions , Petrarchism became ...
... vision , writing , and desire ; directly revising Petrarch's language to exclude or include elements related to gender and sex ; alluding to and transforming myths that involve women ; mourning women's ex- periences of loss and ...
Conteúdo
The Complication of Subjectivity | 27 |
Body of Light Body of Matter | 58 |
Eating Desire and Embracing Error | 94 |
The Labyrinth of Style | 125 |
Charlotte Smith and the Echoes of Melancholy | 151 |
A Fitting Form | 194 |
Conclusion | 230 |
Notes | 245 |
Works Cited and Consulted | 271 |