Desiring Voices: Women Sonneteers and PetrarchismSIU Press, 2000 - 290 páginas "How do I love thee? Let me count the ways," wrote Elizabeth Barrett Browning in her Sonnets from the Portuguese.Desiring Voices: Women Sonneteers and Petrarchism proposes that we attend to the ways that women poets from the sixteenth through the twentieth centuries have both echoed and transformed the literary and erotic conventions that strongly influenced their fates as women, wives, and lovers. Mary B. Moore analyzes and provides context for love sonnet sequences by Italian, French, English, and American women poets in the light of current knowledge concerning attitudes towards women at the time they wrote. Through close readings of the poems combined with theory and criticism about constructs of women, historical events, and biographical contexts, Moore reveals patterns of revision among women poets that shed further light on the poets themselves, on Petrarchism as a convention, and on ideas about women. She focuses on Petrarchan sonnet sequences by women because the poems serve both as works of art and as documents that illuminate the range and limitations of female roles as erotic subjects (agents of speech, action, knowledge, and desire) as well as their more usual roles as erotic objects. Combining theory with close reading, Moore enhances the value of many generally neglected poems by women. After a thorough discussion of the Petrarchan sonnet tradition, she analyzes the work of Gaspara Stampa, Louise Labé, Lady Mary Wroth, Charlotte Smith, Elizabeth Barrett Browning, and Edna St. Vincent Millay. |
De dentro do livro
Resultados 1-5 de 86
... ambiguity and complexity even as he represented the female beloved , Laura , as ideally beautiful and chaste- and as a threat to male subjectivity . The ( Continued on back flap ) Desiring Voices M Ad Feminam : Women and Literature Edited.
... Subjectivity ix xi I 27 Petrarch and the Guise of Blindness 3 Body of Light , Body of Matter 58 Self - Reference as Self - Modeling in Gaspara Stampa 4 Eating Desire and Embracing Error Louise Labé and the Spectacle of Sappho 94 5 The ...
... . At the same time , the line also puns on the female anatomy , whose " eye " is the object and aim of heterosexual desire.1 Desire complicates the male Petrarchist's subjectivity — com- plexity , Introduction I Voicing Desire.
... subjectivity — but sex , gender , and genre further complicate the female Petrarchist's ad- ventures because I and rye ( even in English ) are not punning equiva- lents that affirm her subjectivity — her role as subject of speech ...
... subjectivity through polyphony and complexity during the early modern period.10 Renaissance Petrarchism , its ideology , and the poetic form that embodied it — the sonnet — spread like fire ( and ice ) . The sonnet , either derived from ...
Conteúdo
The Complication of Subjectivity | 27 |
Body of Light Body of Matter | 58 |
Eating Desire and Embracing Error | 94 |
The Labyrinth of Style | 125 |
Charlotte Smith and the Echoes of Melancholy | 151 |
A Fitting Form | 194 |
Conclusion | 230 |
Notes | 245 |
Works Cited and Consulted | 271 |