Desiring Voices: Women Sonneteers and Petrarchism
SIU Press, 2000 - 290 páginas
?How do I love thee? Let me count the ways,” wrote Elizabeth Barrett Browning in her Sonnets from the Portuguese. Desiring Voices: Women Sonneteers and Petrarchism proposes that we attend to the ways that women poets from the sixteenth through the twentieth centuries have both echoed and transformed the literary and erotic conventions that strongly influenced their fates as women, wives, and lovers.
Mary B. Moore analyzes and provides context for love sonnet sequences by Italian, French, English, and American women poets in the light of current knowledge concerning attitudes towards women at the time they wrote. Through close readings of the poems combined with theory and criticism about constructs of women, historical events, and biographical contexts, Moore reveals patterns of revision among women poets that shed further light on the poets themselves, on Petrarchism as a convention, and on ideas about women. She focuses on Petrarchan sonnet sequences by women because the poems serve both as works of art and as documents that illuminate the range and limitations of female roles as erotic subjects (agents of speech, action, knowledge, and desire) as well as their more usual roles as erotic objects.
Combining theory with close reading, Moore enhances the value of many generally neglected poems by women. After a thorough discussion of the Petrarchan sonnet tradition, she analyzes the work of Gaspara Stampa, Louise Labé, Lady Mary Wroth, Charlotte Smith, Elizabeth Barrett Browning, and Edna St. Vincent Millay.
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First , and most crucially , feminist critics ask , What is the relationship between gender and genre , between sexuality and textuality ? But in meditating on these issues , they raise a number of more specific questions .
Early modern women writing amatory lyrics especially transgressed social norms of feminine behavior and galvanized gender issues , as Ann Rosalind Jones has pointed out ( 7 ) . Studies in the 1970s and 1980s on the position of women in ...
Barrett Browning , while seemingly conforming to this limitation in writing a love sonnet sequence , invaded the male realm of social and political commentary by confronting issues of gender and equality , perhaps one of the ...
My study is the first attempt to address these issues : scholarship on early modern women poets has not yet focused on how Petrarchism as mode might have attracted ( even as it may have impeded ) female writing .
Besides its association with issues of gender and reproductivity , its internal boundaries and difficult rhyme schemes make possible tropes of difficulty , containment , and confinement that make the sonnet a perfect vehicle for poetic ...
O que estão dizendo - Escrever uma resenha
The Complication of Subjectivity
Body of Light Body of Matter
Eating Desire and Embracing Error
The Labyrinth of Style
Charlotte Smith and the Echoes of Melancholy
A Fitting Form
Works Cited and Consulted