Desiring Voices: Women Sonneteers and Petrarchism
SIU Press, 2000 - 290 páginas
?How do I love thee? Let me count the ways,” wrote Elizabeth Barrett Browning in her Sonnets from the Portuguese. Desiring Voices: Women Sonneteers and Petrarchism proposes that we attend to the ways that women poets from the sixteenth through the twentieth centuries have both echoed and transformed the literary and erotic conventions that strongly influenced their fates as women, wives, and lovers.
Mary B. Moore analyzes and provides context for love sonnet sequences by Italian, French, English, and American women poets in the light of current knowledge concerning attitudes towards women at the time they wrote. Through close readings of the poems combined with theory and criticism about constructs of women, historical events, and biographical contexts, Moore reveals patterns of revision among women poets that shed further light on the poets themselves, on Petrarchism as a convention, and on ideas about women. She focuses on Petrarchan sonnet sequences by women because the poems serve both as works of art and as documents that illuminate the range and limitations of female roles as erotic subjects (agents of speech, action, knowledge, and desire) as well as their more usual roles as erotic objects.
Combining theory with close reading, Moore enhances the value of many generally neglected poems by women. After a thorough discussion of the Petrarchan sonnet tradition, she analyzes the work of Gaspara Stampa, Louise Labé, Lady Mary Wroth, Charlotte Smith, Elizabeth Barrett Browning, and Edna St. Vincent Millay.
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Schleiner's knowledge of early modern women and her own work on Renaissance texts by women guided and inspired me at every turn .
More sonnet sequences by Renaissance women in Italian and French have survived the vicissitudes of time and neglect , a heritage attesting to the mode's ...
... resurrecting the mode after the decline that it underwent from the late Renaissance through the Enlightenment ( see Curran , " Romantic Poetry " ) .
Such risks manifested themselves in the reception of Petrarchan sonnets by women in the Renaissance . Louise Labé , a member of the sixteenth - century ...
1 0 Renaissance Petrarchism , its ideology , and the poetic form that embodied it — the sonnet — spread like fire ( and ice ) . The sonnet , either derived ...
O que estão dizendo - Escrever uma resenha
The Complication of Subjectivity
Body of Light Body of Matter
Eating Desire and Embracing Error
The Labyrinth of Style
Charlotte Smith and the Echoes of Melancholy
A Fitting Form
Works Cited and Consulted