Desiring Voices: Women Sonneteers and Petrarchism
SIU Press, 2000 - 290 páginas
?How do I love thee? Let me count the ways,” wrote Elizabeth Barrett Browning in her Sonnets from the Portuguese. Desiring Voices: Women Sonneteers and Petrarchism proposes that we attend to the ways that women poets from the sixteenth through the twentieth centuries have both echoed and transformed the literary and erotic conventions that strongly influenced their fates as women, wives, and lovers.
Mary B. Moore analyzes and provides context for love sonnet sequences by Italian, French, English, and American women poets in the light of current knowledge concerning attitudes towards women at the time they wrote. Through close readings of the poems combined with theory and criticism about constructs of women, historical events, and biographical contexts, Moore reveals patterns of revision among women poets that shed further light on the poets themselves, on Petrarchism as a convention, and on ideas about women. She focuses on Petrarchan sonnet sequences by women because the poems serve both as works of art and as documents that illuminate the range and limitations of female roles as erotic subjects (agents of speech, action, knowledge, and desire) as well as their more usual roles as erotic objects.
Combining theory with close reading, Moore enhances the value of many generally neglected poems by women. After a thorough discussion of the Petrarchan sonnet tradition, she analyzes the work of Gaspara Stampa, Louise Labé, Lady Mary Wroth, Charlotte Smith, Elizabeth Barrett Browning, and Edna St. Vincent Millay.
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She focuses on Petrarchan sonnet sequences by women because the poems serve both as works of art and as documents that illuminate the range and limitations of female roles as erotic subjects ( agents of speech , action , knowledge , and ...
Her Petrarchan sonnet's couplet seems to affirm the power of her female fictive poet's eyes . It does so in a complex way , however . Labé might have used forms of the verb conquerer rather than the more indirect ferai grande conquête ...
... Petrarchan sonnet sequence by the Jacobean writer Lady Mary Wroth — some evidence of historical connection does exist . 3 Despite gaps in transmission , women who wrote Petrarchan sequences knew that other women had written them .
... speech was threatening ) do not ensure compliance , women who published amatory writings risked their reputations and honor . Such risks manifested themselves in the reception of Petrarchan sonnets by women in the Renaissance .
Petrarchan sonnet sequences by women across literary periods and languages , however , call for attention different from that accorded other writings by women because of the poems ' problematic Introduction 5.
O que estão dizendo - Escrever uma resenha
The Complication of Subjectivity
Body of Light Body of Matter
Eating Desire and Embracing Error
The Labyrinth of Style
Charlotte Smith and the Echoes of Melancholy
A Fitting Form
Works Cited and Consulted