Desiring Voices: Women Sonneteers and PetrarchismSIU Press, 2000 - 290 páginas "How do I love thee? Let me count the ways," wrote Elizabeth Barrett Browning in her Sonnets from the Portuguese.Desiring Voices: Women Sonneteers and Petrarchism proposes that we attend to the ways that women poets from the sixteenth through the twentieth centuries have both echoed and transformed the literary and erotic conventions that strongly influenced their fates as women, wives, and lovers. Mary B. Moore analyzes and provides context for love sonnet sequences by Italian, French, English, and American women poets in the light of current knowledge concerning attitudes towards women at the time they wrote. Through close readings of the poems combined with theory and criticism about constructs of women, historical events, and biographical contexts, Moore reveals patterns of revision among women poets that shed further light on the poets themselves, on Petrarchism as a convention, and on ideas about women. She focuses on Petrarchan sonnet sequences by women because the poems serve both as works of art and as documents that illuminate the range and limitations of female roles as erotic subjects (agents of speech, action, knowledge, and desire) as well as their more usual roles as erotic objects. Combining theory with close reading, Moore enhances the value of many generally neglected poems by women. After a thorough discussion of the Petrarchan sonnet tradition, she analyzes the work of Gaspara Stampa, Louise Labé, Lady Mary Wroth, Charlotte Smith, Elizabeth Barrett Browning, and Edna St. Vincent Millay. |
De dentro do livro
Resultados 1-5 de 50
... Lady Mary Wroth and the Idea of Petrarchism 6 Charlotte Smith and the Echoes of Melancholy ISI 7 Indeterminacy and the Economy of Love in Sonnets from the Portuguese 160 8 A Fitting Form 194 Edna St. Vincent Millay and Petrarchism 9 ...
... Lady Mary Wroth reprinted by permission of Louisi- ana State University Press from The Poems of Lady Mary Wroth , edited by Josephine Roberts . Copyright © 1983 by Louisiana State University Press . Poems by Louise Labé from Louise Labé ...
... Lady Mary Wroth's Pamphilia to Amphilanthus.2 More sonnet sequences by Renaissance women in Italian and French have survived the vicissitudes of time and neglect , a heritage attesting to the mode's appeal to women writ- ers : Louise ...
... Lady Mary Wroth — some evidence of historical connection does exist.3 Despite gaps in transmission , women who wrote Petrarchan sequences knew that other women had written them . Edna St. Vincent Millay , for example , owned Louise ...
... Lady Mary Wroth published a book containing her prose ro- mance , The Countesse of Mountgomerie's Urania , and her sonnet sequence , Pamphilia to Amphilanthus , but withdrew it from print and never printed the romance's second half ...
Conteúdo
The Complication of Subjectivity | 27 |
Body of Light Body of Matter | 58 |
Eating Desire and Embracing Error | 94 |
The Labyrinth of Style | 125 |
Charlotte Smith and the Echoes of Melancholy | 151 |
A Fitting Form | 194 |
Conclusion | 230 |
Notes | 245 |
Works Cited and Consulted | 271 |