The dramatic works.Whittingham, 1830 |
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Página 3
... Portia with heavenly eloquence : he insists on severe and in- flexible justice , and it at last recoils on his own head , Here he becomes a symbol of the general history of his unfortunate na- tion . The melancholy and self - neglectful ...
... Portia with heavenly eloquence : he insists on severe and in- flexible justice , and it at last recoils on his own head , Here he becomes a symbol of the general history of his unfortunate na- tion . The melancholy and self - neglectful ...
Página 6
... Portia . Prince of Arragon , ANTONIO , the Merchant of Venice . BASSANIO , his Friend . SALANIO , SALARINO , Friends ... Portia . PORTIA , a rich Heiress . NERISSA , her Waiting - Maid . JESSICA , Daughter to Shylock . Magnificoes of ...
... Portia . Prince of Arragon , ANTONIO , the Merchant of Venice . BASSANIO , his Friend . SALANIO , SALARINO , Friends ... Portia . PORTIA , a rich Heiress . NERISSA , her Waiting - Maid . JESSICA , Daughter to Shylock . Magnificoes of ...
Página 12
... Portia . Go , presently inquire , and so will I , Where money is ; and I no question make , To have it of my trust , or for my sake . [ Exeunt . SCENE II . Belmont . A Room in Portia's House . Enter PORTIA and NERISSA . Por . By my ...
... Portia . Go , presently inquire , and so will I , Where money is ; and I no question make , To have it of my trust , or for my sake . [ Exeunt . SCENE II . Belmont . A Room in Portia's House . Enter PORTIA and NERISSA . Por . By my ...
Página 15
... Knight of the Garter , in Shakspeare's time . Perhaps , in this enumeration of Portia's suitors , there may be some covert allusion to those of Queen Elizabeth . determination : which is indeed , to return to their 8C . II . 15 VENICE .
... Knight of the Garter , in Shakspeare's time . Perhaps , in this enumeration of Portia's suitors , there may be some covert allusion to those of Queen Elizabeth . determination : which is indeed , to return to their 8C . II . 15 VENICE .
Página 23
... Portia's House . Flourish of Cornets . Enter the Prince of Morocco , and his Train ; PORTIA , NERISSA , and other of her Attendants . Mor . Mislike me not for my complexion , The shadow'd livery of the burnish'd sun , To whom I am a ...
... Portia's House . Flourish of Cornets . Enter the Prince of Morocco , and his Train ; PORTIA , NERISSA , and other of her Attendants . Mor . Mislike me not for my complexion , The shadow'd livery of the burnish'd sun , To whom I am a ...
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Dramatic Works: From the Text of Johnson, Stevens and Reed; with ..., Volume 3 William Shakespeare Visualização completa - 1852 |
Dramatic Works: From the Text of Johnson, Stevens and Reed; with ..., Volume 3 William Shakespeare Prévia não disponível - 1864 |
Termos e frases comuns
aglets Antonio Baptista Bass Bassanio Ben Jonson BERTRAM better Bian Bianca Bion BIONDELLO Cotgrave Count daughter doth ducats Duke Enter Exeunt Exit eyes fair father fool fortune gentle gentleman give Gratiano Gremio hath hear heart heaven honour Hortensio Jessica Kate Kath KATHARINA King knave lady LAFEU Laun Launcelot look lord Love's Labour's Lost Lucentio madam maid Malone marry master means Merchant of Venice merry mistress Nerissa never old copy reads Orlando Padua Parolles Petruchio Phebe play Portia pray ring Rosalind Rousillon Salan SCENE Servant Shakspeare Shakspeare's Shylock Signior sirrah speak Steevens swear sweet tell thank thee There's thine thing thou art Touch Tranio Troilus and Cressida unto Venice Vincentio wife withal word young