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Poems. By a Literary Society,

Regular Ode, addreffed to the Hon. William Pitt,

The Fairy Ring; or Emmeline,

832 ibid.

233

233

Mutual Attachment; or, the Memoirs of Victoria de Ponty, ib.
Laura and Auguftus. An authentic Story,

Phantoms; or, the Adventures of a Gold-headed Cane,
The School for Majefty; or, the Sufferings of Zomelli,
The Hiftory of Sandford and Merton,

St. Ruthin's Abbey,

Dewell's Philofophy of Phyfic, or Phlogistic Syftem,

ibid.

234

235

ibid.

236

ibid.

Dr. Charfley's Effay on the General Mortality of Fevers, ibid.
Rymer's Chemical Reflections on the Nature, &c. of fome
Difeafes,

Pharus Artis Grammatica Hebrææ. Confecit Job Uri,
Callander's Military Maxims,

237

238

ibid.

239

ibid.

Enquiry into the Caufes of that Disease in Wheat called Brand, 240

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ibid.

ibid.

240, 400

241

248

251

White's Institutes, written by the Great Timour,

The Hiftory of Modern Europe, Part II.

Jones's Relicks of the Welsh Bards,

Attempt to recommend the Study of Botanical Analogy,

Grammar of the Bengal Language,

Sir Wm. Jones's Moalakat; or Seven Arabian Poems,

Narrative of the Diffenfions and Debates in the Royal Society, 299 Burges's Confiderations on the Law of Infolvency,

305

Reflections, occafioned by the late additional Duties on Sugars

and Rum,

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310

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314

ibid.

A Letter from Common Senfe,

Letters on Credit,

ibid.

ibid.

A Letter to Sir Philip Jennings Clerke,

312

Account of the Proceedings in Westminster Hall, Feb. 14. ibid. An Abstract of all the Game Laws,

ibid.

An Abstract of an Act to explain and amend an Act for granting Stamp-duties on, Bills of Exchange, &c.

ibid.

Sharp's Rumble from Newport to Cowes,

ibid.

Effay on True Fafliion; or the Beauties natural to Man,
Sam. House and Sir Jeffery Dunstan,

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Poems on Mifcellaneous Subjects. By Ann Curtis,
Chatsworth; or the Genius of England's Prophecy,
The Double Difguife, a Comic Opera,

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Selima and Azor, a Perfian Tale,

316

Siberian Anecdotes, a Novel,

ibid.

Mental Novellift and amyfing Companion,

ibid.

Sacred Hiftory, Vol. IV. By Mrs. Trimmer,

317

A Key to the three firft Chapters of Genefis,

ibid.

Faith and Works. A Sermon. By Richard Sandilands,
Sheppard's Letter to Dr. Priestley,

ibid.

318

Four Letters to a Minifter of an Independent Church,

ibid,

Dr. Trufler's View of the Common and Statute Law,

319

An Account of the Scots Society in Norwich,
Obfervations,on the Oheero, a Palm Tree,

ibid.

ibid.

Cunningham's Law of Simony,

320

A Letter to her Grace the Duchefs of Devonshire,

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Lewis's Experimental Hiftory of the Materia Medica, 3d edit. 342

A Syftem of Anatomy. From Monro, Winflow, &c.
Blaney's Tranflation of Jeremiah and Lamentations,

345

347

Wallace's Thoughts on the Origin of Feudal Tenures, &c. 355
Potter's Tranflation of the Tragedies of Euripides, Vol. II. 361
Aftle's Origin and Progrefs of Writing,
Williams's Péru, a Poem,

376

371, 418

Effay on the Treatment and Converfion of African Slaves, 381,449 Review of Obfervations on the Commerce of the American States,'

390

. Earl of Stair's Addrefs to, and Expoftulation with, the Public, 391 Popular Topics; or the Grand Question difcuffed, Thoughts on a Parliamentary Reform,

Letters to a Member of the prefent Parliament,

392 ibid.

393

The Parallel: a fecond Letter to the Right. Hon. W. Pitt, ibid. Refolutions on the Question between the Privileges of the Houfe of Commons and the Prerogative of the Crown,

ibid.

The Argument collected; or State Carriage reviewed,
Five Minutes Advice to the People,

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A Plan for the Conduct of Money Tranfactions without Re

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The Denouement; or, the Hift of Lady Louifa Wingrove, ib.
Whitaker's Differtation on the Prophecies, &c.
Anfwer to a Letter to the Duchefs of Devonshire,

398

ibid.

Letters in behalf of Profeffors of Mufic refiding in the Country, 399

Labute's

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Mr. Hardinge's Speech at the Bar of the Houfe of Lords, ibid.
A Letter from Sir Henry Clinton to the Commiffioners of Public
Accounts,

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ibid.

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THE

CRITICAL REVIEW.

For the Month of January, 1784.

Kapanтanos επ Mavn. Sive Cl, Mafoni Cara&tacus Graco Carmine redditus cum Verfione Latina.

A Georgio Henrico Glaffe, 8vo. 55.

A. B. Edis Chrifti Alumno. 8vo.

TH

Gardner.

HAT the author, in this arduous undertaking, should fometimes fail; that Caractacus fhould appear with greater eafe and dignity in his British garb than Grecian veft, will surprise no one who is acquainted with the original; for how can any additional embellishments be expected to heighten the beauties of a performance, where ftrength of reafon unites with the boldeft flights of imagination; where elevation of fentiment and brilliancy of expreflion are confpicuous in the most eminent degree, and reflect a mutual light to adorn each other? The difadvantage, therefore, this gentleman labours under, and the difficulty of the attempt, may, in many respects, apologize for fome defective paffages which we shall proceed to confider.

Aulus Didius opens the Drama with the following lines:
This is the fecret centre of the ifle.

Here, Romans, paufe, and let the eye of wonder
Gaze on the folemn scene; behold yon oak,

How ftern he frowns, and with his broad brown arms
Chills the pale plain beneath him :”-

They are thus rendered by Mr. Glaffe.

• Νησου λαθραῖον ἥκομεν πρὸς ἐμφαλόν·
Οραθ', ὁρᾶτε θαῦμα-Δρυς παλαίφατος
Ὄζοισι πυκνοῖς ἐξαναψύχει * πέδον.

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It is fpelt in the tranflation auxe; but as we know of no fuch word, and apprehend it to have been an error of the press, we have substituted that in its place for which we suppose it was intended.

VOL. LVII. Jan. 1784.

B

This

This is the literal re-tranflation. • Arrived at the fecret centre of the island, behold, behold a wonder!'-Now, what is this wonder? The ancient oak makes the plain cold with its thick branches.' What a ftrange falling off is this at the first onfet! In justice however to Mr. Glaffe we must allow, that the remaining part of the fpeech preferves its pristine dignity. When Arviragus, like Shakspeare's Edgar, enumerates his various artifices to escape his enemies, and win obfcurity to shroud his name,' we have, among others, thefe very expreffive lines:

How, now a peafant from a beggarly fcrip

I fold cheap food to flaves, that nam'd the price,
Nor after gave it. Now a minstrel poor

With ill-tun'd harp, and uncouth descant shrill

I ply'd a thriftlefs trade

"

Though the fubfequent paffage retains the fenfe, yet the Spirit is entirely loft:

• Νῦν γρυτοπώλης ἐν μέσῳ δὴμε λαθον·
Νῦν βάρβιτον ἐφόρησα δυσφωνέςατον,
Οὕτως ἵν ̓ ἐχθρῶν ἐκφύγω ζητήματα.

The following is one of the most beautiful and highlyfinished images we can recollect in any author: A noble counterpart to Shakspeare's perfonification of the fame ideal being, whom he represents as fitting on a monument, smiling at grief.'

'Patience here,

Her meek hands folded on her modest breast,
In mute fubmiffion lifts th' adoring eye,
Ev'n to the ftorm that wrecks her.'
• Ἡ Καρτέρησις ἐνθάδ', εἰς ἡρωϊκὸν
Στῆθος χέρας τιθεισα, χειμέριον μένος
Ανέμε βαρυπνέοντος ιφθίμως φέρει,
Καὶ τῆς θυέλλας προσκυνεῖ σιγῇ Θεόν.

This is fpoken by the first person of the chorus to Caractacus and Evelina, but feems peculiarly addreffed to the latter as a feminine virtue, and recommended to her imitation. An idea totally deftroyed by ἡρωϊκὸν τῆθος and ιφθίμως φέρει. The lines are not bad; but refignation, not fortitude, is inculcated in the original. We meet with fimilar defects in other places. For inftance,

-Ναι, τάλαιν' Εὐηλίνη,

Απ' ἀσθενῆς ἀπελθε, καὶ καταφρόνει
Οὐ γάρ ἐσάωσα τὴν ἄπετμων μητέρα.

But

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