Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 55Gale Research Company, 1984 |
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... production ? Reading Margaret Lamb's 1980 stage history of the play , we learn that in modern times the romantic view has pre- dominated , at least in the theater , with the consequence that the production history of this play has been ...
... production ? Reading Margaret Lamb's 1980 stage history of the play , we learn that in modern times the romantic view has pre- dominated , at least in the theater , with the consequence that the production history of this play has been ...
Página 223
... production was the most comic rendi- tion of the day . Critics used this rendition as the standard against which they evaluated other productions . They mea- sured the play's success by how convincingly the humor- ous verbal wit swept ...
... production was the most comic rendi- tion of the day . Critics used this rendition as the standard against which they evaluated other productions . They mea- sured the play's success by how convincingly the humor- ous verbal wit swept ...
Página 358
... production , evidently load that parenthetical remark ) was " delighted to find such simple fun . . . slap- stick in a gilded frame . " A year later , Devine's production was revived , “ broader , racier , more rumbustious than ever ...
... production , evidently load that parenthetical remark ) was " delighted to find such simple fun . . . slap- stick in a gilded frame . " A year later , Devine's production was revived , “ broader , racier , more rumbustious than ever ...
Conteúdo
Alls Well That Ends Well | 90 |
The Taming of the Shrew | 278 |
Cumulative Character Index | 379 |
Direitos autorais | |
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action All's argues audience bad quarto Barber Beatrice and Benedick Beatrice's becomes Bertram Bianca cates characters Claudio comedy comic Coppélia Countess cultural daughter desire Diana discourse Don Pedro dramatic Elizabethan Ends essay exogamy fantasy father female feminine feminism feminist criticism gender Helena Hero Hero's husband ideology Kate Kate's Katherina King King Lear king's Lafew language Lear Lear's Leonato literary London lord Love's Labour's Lost male marriage marry masculine McLuskie means Measure for Measure moral mother narrative nature Neely Othello Parolles patriarchal Petruchio play's plot political problem Problem Comedies reading relationship Renaissance role romantic scene seems sense sexual Shakespeare Shakespeare's Plays Shakespearean Comedy Shrew social speak speech stage structure Studies suggests Taming theater theatrical theory Thomas Neely thou tion traditional tragedy Troilus and Cressida University Press virginity wedding wife woman women wooing words York