Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 55Gale Research Company, 1984 |
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... play's romantic theme of redemption . Robert Ornstein ( 1986 ) considers the play's protagonist as a complex character , largely devoid of romantic idealism . For Ornstein , Helena is not only virtuous and noble ( despite the fact that ...
... play's romantic theme of redemption . Robert Ornstein ( 1986 ) considers the play's protagonist as a complex character , largely devoid of romantic idealism . For Ornstein , Helena is not only virtuous and noble ( despite the fact that ...
Página 168
... play's end . Despite the Renaissance prohibition that com- edy should not mix King with commoner , this alliance not only establishes the play as comedy , it reinforces the King's role as " father " ( with its implications for marital ...
... play's end . Despite the Renaissance prohibition that com- edy should not mix King with commoner , this alliance not only establishes the play as comedy , it reinforces the King's role as " father " ( with its implications for marital ...
Página 260
... play's title may contain a pun upon ' Nothing ' and ' noting ' , ' Miss Hockey reads the play as an extended treatment of the implications of this pun , and examines in detail all the occasions during the play when attention to the act ...
... play's title may contain a pun upon ' Nothing ' and ' noting ' , ' Miss Hockey reads the play as an extended treatment of the implications of this pun , and examines in detail all the occasions during the play when attention to the act ...
Conteúdo
Alls Well That Ends Well | 90 |
The Taming of the Shrew | 278 |
Cumulative Character Index | 379 |
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action All's argues audience bad quarto Barber Beatrice and Benedick Beatrice's becomes Bertram Bianca cates characters Claudio comedy comic Coppélia Countess cultural daughter desire Diana discourse Don Pedro dramatic Elizabethan Ends essay exogamy fantasy father female feminine feminism feminist criticism gender Helena Hero Hero's husband ideology Kate Kate's Katherina King King Lear king's Lafew language Lear Lear's Leonato literary London lord Love's Labour's Lost male marriage marry masculine McLuskie means Measure for Measure moral mother narrative nature Neely Othello Parolles patriarchal Petruchio play's plot political problem Problem Comedies reading relationship Renaissance role romantic scene seems sense sexual Shakespeare Shakespeare's Plays Shakespearean Comedy Shrew social speak speech stage structure Studies suggests Taming theater theatrical theory Thomas Neely thou tion traditional tragedy Troilus and Cressida University Press virginity wedding wife woman women wooing words York