Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 55Gale Research Company, 1984 |
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Página 54
... language , which focused sharply on Cressida's betrayal of the romantic and " true " Troilus . As Hunter notes , while Troilus speaks with " heroic protesta- tions " of the good intentions of men like himself , Cressida replies with ...
... language , which focused sharply on Cressida's betrayal of the romantic and " true " Troilus . As Hunter notes , while Troilus speaks with " heroic protesta- tions " of the good intentions of men like himself , Cressida replies with ...
Página 168
... language of power is part of the legacy her father has left her and facilitates her success with the King . ) Other heroines control language as game , as play ; Helena does not often play at comic wit . She dominates Parolles in the ...
... language of power is part of the legacy her father has left her and facilitates her success with the King . ) Other heroines control language as game , as play ; Helena does not often play at comic wit . She dominates Parolles in the ...
Página 331
... language , is made to seem the explanation of Kate's ongoing quarrel with the men who are her master ' ( 145 ) . He argues that it is language itself which , constructed and construed within the rhetorical frame of patriarchy , insists ...
... language , is made to seem the explanation of Kate's ongoing quarrel with the men who are her master ' ( 145 ) . He argues that it is language itself which , constructed and construed within the rhetorical frame of patriarchy , insists ...
Conteúdo
Alls Well That Ends Well | 90 |
The Taming of the Shrew | 278 |
Cumulative Character Index | 379 |
Direitos autorais | |
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action All's argues audience bad quarto Barber Beatrice and Benedick Beatrice's becomes Bertram Bianca cates characters Claudio comedy comic Coppélia Countess cultural daughter desire Diana discourse Don Pedro dramatic Elizabethan Ends essay exogamy fantasy father female feminine feminism feminist criticism gender Helena Hero Hero's husband ideology Kate Kate's Katherina King King Lear king's Lafew language Lear Lear's Leonato literary London lord Love's Labour's Lost male marriage marry masculine McLuskie means Measure for Measure moral mother narrative nature Neely Othello Parolles patriarchal Petruchio play's plot political problem Problem Comedies reading relationship Renaissance role romantic scene seems sense sexual Shakespeare Shakespeare's Plays Shakespearean Comedy Shrew social speak speech stage structure Studies suggests Taming theater theatrical theory Thomas Neely thou tion traditional tragedy Troilus and Cressida University Press virginity wedding wife woman women wooing words York