Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 55Gale Research Company, 1984 |
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Página 44
... Cressida . See , for example , L. C. Knights's comments both on Cressida's position as a stereotypical wanton and on the note of sincerity we sometimes hear in her exchanges with Troilus ( “ The Theme of Appearance and Reality in ...
... Cressida . See , for example , L. C. Knights's comments both on Cressida's position as a stereotypical wanton and on the note of sincerity we sometimes hear in her exchanges with Troilus ( “ The Theme of Appearance and Reality in ...
Página 51
... Cressida can shift be- tween several of these categories within one scene , Main ultimately declared that " she is all of these - romantic , sa- tiric , and pathetic ; however , her eclectic qualities focus from her swearing and ...
... Cressida can shift be- tween several of these categories within one scene , Main ultimately declared that " she is all of these - romantic , sa- tiric , and pathetic ; however , her eclectic qualities focus from her swearing and ...
Página 52
... Cressida , ' for example , presents for the first time a recognition that Cressida's ac- tions are essentially the same as those of Shakespeare's " unadulterated " heroines in the sense that all of them must Ideal with the world on its ...
... Cressida , ' for example , presents for the first time a recognition that Cressida's ac- tions are essentially the same as those of Shakespeare's " unadulterated " heroines in the sense that all of them must Ideal with the world on its ...
Conteúdo
Alls Well That Ends Well | 90 |
The Taming of the Shrew | 278 |
Cumulative Character Index | 379 |
Direitos autorais | |
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action All's argues audience bad quarto Barber Beatrice and Benedick Beatrice's becomes Bertram Bianca cates characters Claudio comedy comic Coppélia Countess cultural daughter desire Diana discourse Don Pedro dramatic Elizabethan Ends essay exogamy fantasy father female feminine feminism feminist criticism gender Helena Hero Hero's husband ideology Kate Kate's Katherina King King Lear king's Lafew language Lear Lear's Leonato literary London lord Love's Labour's Lost male marriage marry masculine McLuskie means Measure for Measure moral mother narrative nature Neely Othello Parolles patriarchal Petruchio play's plot political problem Problem Comedies reading relationship Renaissance role romantic scene seems sense sexual Shakespeare Shakespeare's Plays Shakespearean Comedy Shrew social speak speech stage structure Studies suggests Taming theater theatrical theory Thomas Neely thou tion traditional tragedy Troilus and Cressida University Press virginity wedding wife woman women wooing words York