Carnival and Theater (Routledge Revivals): Plebian Culture and The Structure of Authority in Renaissance EnglandRoutledge, 18.03.2014 - 250 Seiten In this title, first published in 1985, Michael Bristol draws on several theoretical and critical traditions to study the nature and purpose of theatre as a social institution: on Marxism, and its revisions in the work of Mikhail Bakhtin; on the theories of Emile Durkheim and their adaptations in the work of Victor Turner; and on the history of social life and material culture as practiced by the Annales school. This valuable work is an important contribution to literary criticism, theatre studies and social history and has particular importance for scholars interested in the dramatic literature of Elizabethan England. |
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... privileged site for the celebration and critique of the needs and concerns of the polis. The critical intensification of collective life represented and experienced in the theater, and the possibility it creates for action and ...
... privileged site for the celebration and critique of the needs and concerns of the polis. The critical intensification of collective life represented and experienced in the theater, and the possibility it creates for action and ...
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... privileged tradition. The fate of an old play in a contemporary performance or reading presents many complex difficulties, but the most elusive of all these problems is the recognition and recuperation of their initially uncanonical ...
... privileged tradition. The fate of an old play in a contemporary performance or reading presents many complex difficulties, but the most elusive of all these problems is the recognition and recuperation of their initially uncanonical ...
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... privileged sphere of individuality in Wyatt, set off from linguistic convention, from social pressure, from the shaping force of religious and political power.'12 This observation reveals a general and pervasive refusal to adopt any ...
... privileged sphere of individuality in Wyatt, set off from linguistic convention, from social pressure, from the shaping force of religious and political power.'12 This observation reveals a general and pervasive refusal to adopt any ...
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Inhalt
PART II THE TEXTS OF CARNIVAL | 55 |
PART III THEATER AND THE STRUCTURE OF AUTHORITY | 105 |
PART IV CARNIVALIZED LITERATURE | 157 |
Notes | 214 |
Bibliography | 226 |
Index | 235 |
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Carnival and Theater (Routledge Revivals): Plebian Culture and The Structure ... Michael D. Bristol Eingeschränkte Leseprobe - 2014 |
Häufige Begriffe und Wortgruppen
abundance abuse action activity allocation audience authority Bakhtin Battle of Carnival butchers Carnival and Lent celebration character Claudius clown collective common complex concept conflict critical death discourse dramatic Durkheim E.P. Thompson early modern economic elaborate elite Elizabethan Emile Durkheim epically distanced everyday existence experience Falstaff Faustus festive agon fishmongers folly function Hamlet hierarchy identity ideology individual interpretation Jack king language laughing matter laughter Lenten Lenten Stuffe liminal literary literature Locrine London marriage material matter of Britain Midsummer Night's Dream Mikhail Bakhtin misrule narrative Nashe objectified pageantry pattern play plebeian culture political popular culture popular festive form practice Praise of Folly privileged production Rabkin radical relationship Renaissance represented reveals scene sexual Shakespeare social discipline social structure society speech types strategy Strumbo sustained symbols theater theatrical theory Theseus Thomas Nashe thou thrashing Tillyard tion traditional transgression travesty uncrowning University Press utopian Victor Turner violence wealth