Printing History, Bände 4-6American Printing History Association, 1982 |
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Seite 39
... artists includes many of the giants of art history . Thus it is fitting that Gordon N. Ray's The Art of the French Illustrated Book , 1700-1914 , the first major survey of French illustration of this period in over fifty years , should ...
... artists includes many of the giants of art history . Thus it is fitting that Gordon N. Ray's The Art of the French Illustrated Book , 1700-1914 , the first major survey of French illustration of this period in over fifty years , should ...
Seite 6
... artist was not paid a direct fee for the use of the artwork , he might be compensated with a percentage of prints from the full edi- tion . Engravers were eager to establish them- selves with the best artists . For example , David Edwin ...
... artist was not paid a direct fee for the use of the artwork , he might be compensated with a percentage of prints from the full edi- tion . Engravers were eager to establish them- selves with the best artists . For example , David Edwin ...
Seite 21
... artists , and engravers went to great lengths to make their records accu- rate . Doolittle's " Battles at Lexington and Concord " are still considered the best histori- cal evidence of that action . Artists and en- gravers in the new ...
... artists , and engravers went to great lengths to make their records accu- rate . Doolittle's " Battles at Lexington and Concord " are still considered the best histori- cal evidence of that action . Artists and en- gravers in the new ...
Inhalt
Editorial | 2 |
Dining Wining and Marching | 16 |
The Permanence of Ephemera | 26 |
Urheberrecht | |
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