Polish National Cinema

Capa
Berghahn Books, 2002 - 304 páginas

In the years since World War II, Poland has developed one of Europe's most distinguished film cultures. However, in spite of the importance of Polish cinema this is a domain in need of systematic study.

This book is the first comprehensive study of Polish cinema from the end of the 19th century to the present. It provides not only an introduction to Polish cinema within a socio-political and economic context, but also to the complexities of East-Central European cinema and politics.

 

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Conteúdo

Polish Cinema before the Introduction of Sound
1
The Sound Period of the 1930s
23
Polish FilmsWhose Dreams? Cinema and the Political
44
Socialist Realist Films
56
The Polish School Revisited
73
Adaptations Personal Style and Popular Cinema between
110
The Cinema of Distrust
146
The Return of Democracy
176
The Representation of Stalinism in Polish Cinema
207
National Memory the Holocaust and Images of the
222
Polish Films with an American Accent
243
Afterword
259
Selected Bibliography
272
Index of Names
282
Index of Film Titles
292
Direitos autorais

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Passagens mais conhecidas

Página 273 - Andrzej Wajda: Film Language and the Artist's Truth." Cross Currents: A Yearbook of Central European Culture 1 (1982): 339-353.

Sobre o autor (2002)

Marek Haltof is Assistant Professor in Film in the English Department at Northern Michigan University. He published Peter Weir: When Cultures Collide (1996) and three books on cinema in Polish, including Australian Cinema: On the Screen Construction of Australia (1996) and Author and Art Cinema: The Case of Paul Cox (2001). He is also the author of two novels published in Poland.

Informações bibliográficas