Antony and CleopatraOxford University Press, 2002 - 170 páginas This exclusive collection of the Bard's works has been designed specifically for readers new to Shakespeare's rich literary legacy. Each of the plays is presented unabridged and in large print, copiously annotated and preceded by a character summary and commentary. Brief scene synopses clarify confusing plots, while incisive essays describe the historical context and Shakespeare's sources. The explanatory notes are written clearly and simply, illustrated, and positioned right next to the text -- no more flipping pages back and forth to squint over microscopic footnotes! Topics for further discussion, critical comments, related essays, and a chronology of Shakespeare's life and work are included among the appendices to each volume. The books boast fine black-and-white photographs of stagings of the plays at Shakespeare Festivals around the globe. From the wide margins and big print to the extent of explanatory notes -- the full text of each play is presented in the clearest and most accessible format available. |
De dentro do livro
Resultados 1-5 de 36
Página v
... eye could discern or that ever books could mention.1 I ' The Life of Marcus Antonius ' in Parallel Lives of the Greeks and Romans , translated by Sir Thomas North ( 1579 , 3rd edition 1603 ) . Together , they were without parallel for ...
... eye could discern or that ever books could mention.1 I ' The Life of Marcus Antonius ' in Parallel Lives of the Greeks and Romans , translated by Sir Thomas North ( 1579 , 3rd edition 1603 ) . Together , they were without parallel for ...
Página xvi
... eyes ! But w do we stand ? Can we begin to take sides , either with disapproving Philo or with the ' strumpet's fool ' ? Are these epi appropriate or is it possible that this could ' be love indeed ' ? In the theatre there is no time ...
... eyes ! But w do we stand ? Can we begin to take sides , either with disapproving Philo or with the ' strumpet's fool ' ? Are these epi appropriate or is it possible that this could ' be love indeed ' ? In the theatre there is no time ...
Página xx
... eyes and the nostrils ; the detect the harmony of the flutes , and the pulses feel the rhyth the oars . The elements of fire , air and water all conspire to tit the senses and raise them to even further heights in ord conceive the human ...
... eyes and the nostrils ; the detect the harmony of the flutes , and the pulses feel the rhyth the oars . The elements of fire , air and water all conspire to tit the senses and raise them to even further heights in ord conceive the human ...
Página xxii
... eyes of Romans — and of Shakespeare's contemporaries . The ' s Philippan ' was the weapon used at the battle of Philippi , whe rebels , Brutus and Cassius , were finally defeated by Antony Octavius : Cleopatra's wearing of it would seem ...
... eyes of Romans — and of Shakespeare's contemporaries . The ' s Philippan ' was the weapon used at the battle of Philippi , whe rebels , Brutus and Cassius , were finally defeated by Antony Octavius : Cleopatra's wearing of it would seem ...
Página xxxi
... eyes With one that ties his points ? Cleopatra , who said earlier that she would ' stay his time ' and wait until Antony's hysterical frenzy should subside , now delivers a passionate declaration of her loyalty . Her words equal ...
... eyes With one that ties his points ? Cleopatra , who said earlier that she would ' stay his time ' and wait until Antony's hysterical frenzy should subside , now delivers a passionate declaration of her loyalty . Her words equal ...
Conteúdo
I | 1 |
III | 3 |
IV | 11 |
V | 16 |
VI | 19 |
VII | 23 |
IX | 25 |
X | 34 |
XXV | 76 |
XXVI | 79 |
XXVII | 82 |
XXVIII | 83 |
XXIX | 93 |
XXXI | 94 |
XXXII | 96 |
XXXIII | 98 |
XI | 36 |
XII | 37 |
XIII | 42 |
XIV | 48 |
XV | 55 |
XVII | 57 |
XVIII | 61 |
XIX | 63 |
XX | 65 |
XXI | 66 |
XXII | 70 |
XXIII | 75 |
XXXIV | 100 |
XXXV | 101 |
XXXVI | 102 |
XXXVII | 104 |
XXXVIII | 106 |
XXXIX | 107 |
XL | 108 |
XLI | 111 |
XLII | 112 |
XLIII | 123 |
XLV | 126 |
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Termos e frases comuns
Act 4 Scene Actium Agrippa Alexandria Alexas Antony and Cleopatra Antony Cleopatra Antony's audience battle battle of Actium brother Caesar and Antony Caesarion Canidius characters Charmian Cleopatra Antony dead death Dercetus Diomedes Dolabella drink Egypt Egyptian Enobarbus Enter Antony enter Cleopatra Eros Eros Antony eunuch Events in history Exeunt Act Exit eyes Farewell fight follow fortune friends Fulvia give gods Guard hand hath hear heart honour horse i'th Iras Julius Caesar kings leave Lepidus live look lord madam Maecenas Marcus Crassus Mardian Mark Antony married Menas Messenger Cleopatra never noble o'th Octavia Octavius Caesar Parthia peace play Plutarch Pompey Pompey's pray Proculeius queen Roman Rome Scarus Scene 13 Seleucus Servant Sextus Pompeius Shakespeare Soldier Soothsayer speak stage sword tell thee There's Thidias thine thou hast thought triumph triumvirs trumpets Ventidius whilst wife woman words