pital, i. 120, 121; paltry excuses for the crime, i. 121- 126 ; his pretended marriage under the name of Renou, i. 129; his Discourses, i. 132- 186 (see Discourses); writes essays for academy of Dijon, i. 132; origin of first essay, i. 133-137 ; his visions for thirteen years, i. 138 ; evil effect upon himself of the first Discourse, i. 138; ofit,the second Discourse and the Social Con- tract upon Europe, i. 138; his own opinion of it, i. 138, 139 ; influence of Plato upon him, i. 146 ; second Discourse, i. 154 ; his “ State of Nature,” i. 159 ; no evidence for it, i. 172; influence of Montesquieu on him, i. 183 ; inconsistency of his views, i. 124 ; influence of Geneva upon him, i. 187, 188; his disgust at Parisian philo- sophers, i. 191, 192; the two sides of his character, i. 193; associates in Paris, i. 193; his income, i. 196, 197, n.; post of cashier, i. 196; throws it up, i. 197, 198; determines to earn his living by copying music, i. 198, 199; change of manners, i. 201 ; dislike of the manners of his time, i. 202, 203; assump- tion of a seeming cynicism, i. 206; Grimm's rebuke of it, i. 206; Rousseau's protest against atheism, i. 208, 209; composes a musical interlude, the Village Soothsayer, i. 212; his nervous- ness loses him the chance of a pension, i. 213 ; his moral simplicity, i. 214, 215 ; revisits Geneva, i. 216 ; re-conversion to Protestantism, i. 220; his friends at Geneva, i. 227 ; their
effect upon him, i. 227; returns to Paris, i. 227; the Hermitage offered
him by Madame d'Epinay, i. 229, 230 (and ib. n.); retires to it against the protests of his friends, i. 231, his love of nature, i. 234, 235, 236; first days at the Herni. tage, i. 237 ; rural delirium, i. 237 ; dislike of society, i. 242 ; literary scheme, i. 242, 243 ; remarks on Saint Pierre, i. 246 ; violent mental crisis, i. 247 ; employs his illness in writing to Voltaire on Providence, i. 250, 251 ; his intolerance of vice in others, i. 254 ; acquaint- ance with Madame de Hou- detot, i. 255-269; source of his irritability, i. 270, 271 ; blind enthusiasm of his ad- mirers, i. 273, also ib. n.; quarrels with Diderot, i. 275 ; Grimm's account of them, i. 276 ; quarrels with Madame d'Epinay, i. 276, 288; relations with Grimm, i. 279 ; want of sympathy between the two, i. 279 ; declines to accompany Madame d'Epinay to Geneva, i. 285; quarrels with Grimm, i. 285 ; leaves the Hermitage, i. 289, 290; aims in music, i. 291 ; letter on French music, i. 293, 294 ; writes on music in the Encyclopædia, i. 296 ; his Musical Dictionary, i. 296 ; scheme and principles of his new musical notation, i. 269; ex- plained, i. 298, 299; its practi- cal value, i. 299; his mistake, i. 300; minor objections, i. 300 ; his temperament and Genevan spirit, i. 303 ; com- pared with Voltaire, i. 304, 305; had a more spiritual
element than Voltaire, i. 306; its influence in France, i. 307 ; early relations with Voltaire, i. 308 ; letter to him on his poeni on the earthquake at Lisbon, i. 312, 313, 314 ; reasons in a circle, i. 316; continuation of argument against Voltaire, i. 316, 317 ; curious notion about religion, i. 317 ; quarrels with Voltaire, i. 318, 319; denounces him as a “trumpet of impiety,” i. 320, n.; letter to D'Alembert on Stage Plays, i. 321 ; true answer to his theory, i. 323, 324 ; contrasts Paris and Gen- eva, i. 327, 328; his patriotism, i. 329, 330, 331 ; censure of love as a poetic theme, 334, 335; on Social Position of Women, i. 335; Voltaire and D'Alembert's criticism on his Letter on Stage Plays, i. 336, 337 ; final break with Diderot, i. 336; antecedents of his highest creative efforts, ii. 1 ; friends at Montmorency, ii. 2; reads the New Heloïsa to the Maréchale de Luxembourg, ii. 2 ; unwillingness to receive gifts, ii. 5; his relations with the Duke and Duchess de Luxembourg, ii. 7 ; misunder- stands the friendliness of Ma- dame de Boufflers, ii. 7 ; calm life at Montmorency, ii. 8; literary jealousy, ii. 8; last of his peaceful days, ii. 9 ; advice to a young man against the contemplative life, ii. 10 ; offen. sive form of his “good sense" concerning persecution of Pro- testants, ii. 11, 12; cause of his unwillingness to receive gifts, 13, 14; owns his un- grateful nature, ii. 15; ill-
humoured banter, ii. 15; his constant bodily suffering, ii. 16; thinks of suicide, ii. 16; correspondence with the readers of the New Heloïsa, ii. 19, 20; the New Heloïsa, criticism on, ii. 20-55 (see New Heloïsa); his publishing difficulties, ii. 56 ; no taste for martyrdom, ii. 59, 60; curious discussion between, ii. 59; and Malesherbes, ii. 60 ; indebted to Malesherbes in the publication of Emilius, ii. 61, 62; suspects Jesuits, Jansenists, and philosophers of plotting to crush the book, ii. 63; himself counted among the latter, ii. 65 ; Emilius ordered to be burnt by public executioner, on the charge of irreligious tendency, and its author to be arrested, ii. 65 ; his flight, ii. 67 ; literary composition on the journey to Switzerland, ii. 69 ; contrast between him and Vol. taire, ii. 70; explanation of his “natural ingratitude,” ii. 71; reaches the canton of Berne, and ordered to quit it, ii. 72 ; Emilius and Social Contract condemned to be publicly burnt at Geneva, and author arrested if he came there, ii. 72, 73; takes refuge at Motiers, in dominions of Frederick of Prussia, ii. 73; characteristic letters to the king, ii. 74, 77 ; declines pecuniary help from him, ii. 75 ; his home and habits at Motiers, ii. 77, 78; Voltaire supposed to have stirred up animosity against him at Geneva, ii. 81; Arch- bishop of Paris writes against him, ii. 83; his reply, and char- acter as a controversialist, ii.
83-90; life at Val de Travers (Motiers), ii. 91-95 ; his gener- osity, ii. 93; corresponds with the Prince of Wurtemberg on the education of the prince's daughter, ii. 95, 96 ; on Gibbon, ii. 96; visit from Boswell, ii. 98; invited to legislate for Corsica, ii. 99, n.; urges Boswell to go there, ii. 100; denounces its sale by the Genoese, ii. 102; renounces his citizenship of Geneva, ii. 103 ; his Letters from the Mountain, ii. 104 ; the letters condemned to be burned at Paris and the Hague, ii. 105 ; libel upon, ii. 105; religious difficulties with his pastor, ii. 106; ill-treatment of, in parish, ii. 106 ; obliged to leave it, ii. 108; his next retreat, ii. 108; account in the Rêveries of his short stay there, ii. 109-115 ; expelled by government of Berne, ii. 116; makes an ex- traordinary request to it, ii. 116, 117; difficulties in find- ing a home, ii. 117 ; short stay at Strasburg, ii. 117, n.; decides on going to England, ii. 118 ; his Social Contract, and criticism on, ii. 119, 196 (see Social Contract); scanty acquaintance with history, ii. 129 ; its effects on his political writings, ii. 129, 136 ; his object in writing Emilius, ii. 198 ; his confession of faith, under the character of the Savoyard Vicar(see Emilius), ii. 257-280; excitement caused by his appearance in Paris in 1765, ii. 282 ; leaves for Eng. land in company with Hume, ii. 283 ; reception in London, ii. 283, 284 ; George III. gives him a pension, ii. 284 ; his love
Madame d'Epinay, i. 279, n.;
on Rousseau, ii. 40. Saint Germain, M. de, Rousseau's
letter to, i. 123. Saint Just, ii. 132, 133 ; his
political regulations, ii. 133, n.; base of his system, ii. 136 ;
against the atheists, ii. 179. Saint Lambert, i. 244 ; offers
Rousseau a home in Lorraine,
ii. 117. Saint Pierre, Abbé de, Rousseau
arranges papers of, i. 244 ; his views concerning reason, ib.; boldness of his observations, i.
245. Saint Pierre, Bernardin de, account
of his visit to Rousseau at Paris,
ii. 317-321. Sand, Madame G., i. 81, n.; Savoy
landscape, i. 99, n.; ancestry
of, i. 121, n. Savages, code of morals of, i. 178-
179, n. Savage state, advantages of, Rous-
seau's letter to Voltaire, i. 312. Savoy, priests of, proselytisers, i.
30, 31, 33 (also ib. n.) Savoyard Vicar, the, origin of
character of, ii. 257 - 280 (see
Emilius). Schiller on Rousseau, ii. 192 (also
ib. n.); Rousseau's influence on,
ii. 315. Servetus, ii. 180. Simplification, the revolutionary
process and ideal of, i. 4 ; in reference to Rousseau's inusic,
i. 291. Social conscience, theory and de-
finition of, ii. 234, 235; the great agent in fostering, ii.
237. Social Contract, the, ill effect of,
on Europe, i. 138 ; beginning of its composition, i. 177 ; ideas
of, i. 188; its harmful dreams, i. 246; influence of, ii. 1; price of, and difficulties in publish- ing, ii. 59 ; ordered to be burnt at Geneva, ii. 72, 73, 104 ; de- tailed criticism of, ii. 119-196 ; Rousseau diametrically opposed to the dominant belief of his day in human perfectibility, ii. 119; object of the work, ii. 120; main position of the two Discourses given up in it, ii. 120; influenced by Locke, ii. 120; its uncritical, illogical principles, ii. 123, 124 ; its impracticable- ness, ii. 128 ; nature of his illustrations, ii. 128-133; the “ gospel of the Jacobins," ii. 132, 133; the desperate absur- dity of its assumptions gave it power in the circumstances of the times, ii. 135-141; some of its maxims very convenient for ruling Jacobins, ii. 142; its central conception, the sove- reignty of peoples, ii. 144 ; Rousseau not its inventor, ii. 144, 145 ; this to be distin- guished from doctrine of right of subjects to depose princes, ii. 146 ; Social Contract idea of government, probably derived from Locke, ii. 150 ; falseness of it, ii. 153, 154 ; origin of society, ii. 154 ; ill effects on Rousseau's political speculation, ii. 155; what constitutes the sovereignty, ii. 158 ; Rousseau's Social Contract different from that of Hobbes, ii. 159; Locke's indefiniteness on, ii. 160; attri- butes of sovereignty, ii. 163, confederation, ii. 164, 165 ; his distinction between tyrant and despot, ii. 169, n.; distinguishes constitution of the state from
that of the government, ii. 170; | Spectator, the, Rousseau's liking scheme of an elective aristo- for, i. 86. cracy, ii. 172 ; similarity to the Spinoza, dangerous speculations English form of government, ii. of, i. 143. 173 ; the state in respect to re- Stael, Madame de, i. 217, n. ligion, ii. 173 ; habitually illo-Stage players, how treated in gical form of his statements, ii. France, i. 322. 173, 174 ; duty of sovereign to Stage plays (see Plays). establish civil profession of State of Nature, Rousseau's, i. faith, ii. 175, 176 ; infringe- 159, 160; Hobbes on, i. 161 ment of it to be punished, even (see Nature). by death, ii. 176 ; Rousseau's Suicide, Rousseau on, ii. 16; a Hobbism, ii. 177 ; denial of his mistake to pronounce him in- social compact theory, ii. 183, capable of, ii. 19. 184 ; futility of his disquisi- Switzerland, i. 330. tions on, ii. 185, 180; his de- claration of general duty of rebellion (arising out of the Tacitus, i. 177. universal breach of social com- Theatre, Rousseau's letter, object- pact) considered, ii. 188; it
ing to the, i. 133 ; his error in makes government impossible,
the matter, i. 134. ii. 188 ; he urges that usurped
Theology, metaphysical, Des- authority is another valid
cartes' influence on, i. 226. reason for rebellion, ii. 190;
Theresa (see Le Vasseur). practical evils of this, ii. 192; | Thought, school of, division be-
historical effect of the Social Contract, ii. 192-195.
alists, i. 337. Social quietism of some parts of Tonic Sol-fa notation, close corre- New Heloïsa, ii. 49.
![[ocr errors]](https://books.google.com.br/books/content?id=6dIOAAAAIAAJ&hl=pt-BR&output=html_text&pg=PA346&img=1&zoom=3&q=%22clogging+prejudices+and+obscure+inveterate+usage,+which+made+education+one+of+the+dark+formalistic+arts.%22&cds=1&sig=ACfU3U1ND6g2uSMN70kFSmLCf3m0ZKFW-A&edge=0&edge=stretch&ci=539,744,316,51)
« AnteriorContinuar » |