The CEA Critic, Volumes 44-45 |
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GARY A. OLSON University of Alabama THE APPLICATION OF THE AFFECTIVE APPROACH TO EIGHTEENTH CENTURY POETRY The subjectivist , " affective " revolution in literature seems to be here to stay . Both teachers and critics are reevaluating ...
GARY A. OLSON University of Alabama THE APPLICATION OF THE AFFECTIVE APPROACH TO EIGHTEENTH CENTURY POETRY The subjectivist , " affective " revolution in literature seems to be here to stay . Both teachers and critics are reevaluating ...
Página 19
And it is well - known that much of the poetry of the romantic era that is lauded for its spontaneity was in fact produced through careful workmanship and constant revision . Third : the poet of the eighteenth century seldom reveals his ...
And it is well - known that much of the poetry of the romantic era that is lauded for its spontaneity was in fact produced through careful workmanship and constant revision . Third : the poet of the eighteenth century seldom reveals his ...
Página 20
Certainly , the individual student's degree of knowledge about the poetry and its conventions is an important factor in how a work will " affect " him or her . But the mere fact that Augustan poetry is mimetic does not disqualify it ...
Certainly , the individual student's degree of knowledge about the poetry and its conventions is an important factor in how a work will " affect " him or her . But the mere fact that Augustan poetry is mimetic does not disqualify it ...
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THE CEA CRITIC | 1 |
Philosophy and Altered States | 11 |
A Selective Annotated | 17 |
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The CEA Critic, Volumes 21-29;Volume 2 College English Association Não há visualização disponível - 1959 |
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alliteration American appears approach Association become begin brain called cause characters Cheever's cohesion College communication composition concern consciousness course create criticism culture describes discussion Editor effect English essay example experience expression fact father feel feminist fiction final functions give hand hemisphere human idea images imagination important individual issue John language later learning linguistic literary literature lives meaning Michigan mind moves nature never normal notes novel objects organization perhaps person philosophy play poem poetry possible present Press problems published question reader reality relation response Rhetoric Robert seems sense social story structure style suggests teachers teaching Texas Texas A&M theory things thought traditional turn understanding University values women writing York young