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Specimens of the Table Talk of the Late Samuel Taylor Coleridge, Volume 1
Samuel Taylor Coleridge
Visualização completa - 1835
admirable AEschylus answer appearance beautiful become believe better cause character Christian church Coleridge Coleridge's common considered constitution course doubt effect England English existence expression fact faith feeling friends genius German give Greek hand heart House idea instance interest Italy Jews John King knowledge known language learned least less light living look Lord manner matter means mere mind moral nature never object observe once original particular passage perhaps person philosophy poem poet political present principles Quakers reason Reformation religion remarkable respect seems seen sense Shakspeare sort spirit style sure taken thing thought tion told took translation true truth understanding verse vols whole wish writings
Página 181 - Greatness and goodness are not means, but ends ! Hath he not always treasures, always friends, The good great man ? Three treasures, love, and light, And calm thoughts regular as infant's breath : And three firm friends, more sure than day and night, Himself, his Maker, and the angel Death.
Página 104 - And the high priest arose, and said unto him, Answerest thou nothing? What is it which these witness against thee? But Jesus held his peace. And the high priest answered and said unto him, I adjure thee by the living God, that thou tell us whether thou be the Christ, the Son of God.
Página 181 - How seldom, friend, a good great man inherits Honour or wealth with all his worth and pains ! It sounds like stories from the land of spirits, If any man obtain that which he merits, Or any merit that which he obtains.
Página 31 - I think Wordsworth possessed more of the genius of a great philosophic poet than any man I ever knew, or, as I believe, has existed in England since Milton ; but it seems to me that he ought never to have abandoned the contemplative position, which is peculiarly, perhaps I might say exclusively, fitted for him. His proper title is, Spectator ab extra.
Página 111 - I told her that in my own judgement the poem had too much ; and that the only, or chief fault, if I might say so, was the obtrusion of the moral sentiment so openly on the reader as a principle or cause of action in a work of such pure imagination. It ought to have had no inore moral than the Arabian Nights...
Página xi - Coleridge, to many people, and often I have heard the complaint, seemed to wander ; and he seemed then to wander the most when, in fact, his resistance to the wandering instinct was greatest — viz., when the compass and huge circuit, by which his illustrations moved, travelled farthest into remote regions before they began to revolve. Long before this coming round commenced, most people had lost him, and naturally enough supposed that he had lost himself. They continued to admire the separate beauty...
Página 31 - ... taking you through the valleys between: in fact, his work is little else but a disguised collection of all the splendid anecdotes which he could find in any book concerning any persons or nations from the Antonines to the capture of Constantinople. When I read a chapter in Gibbon...
Página xxvii - In this instance, as in the dramatic lectures of Schlegel to which I have before alluded, from the same motive of self-defence against the charge of plagiarism, many of the most striking resemblances, indeed all the main and fundamental ideas, were born and matured in my mind before I had ever seen a single page of the German Philosopher...
Página 31 - IV. Forgive me, Freedom ! O forgive those dreams ! I hear thy voice, I hear thy loud lament, From bleak Helvetia's icy cavern sent — I hear thy groans upon her blood-stained streams ! Heroes, that for your peaceful country perished, And ye that, fleeing, spot your mountain-snows...
Página 31 - The words in prose ought to express the intended meaning, and no more ; if they attract attention to themselves, it is, in general, a fault. In the very best styles, as Southey's, you read page after page, understanding the author perfectly, without once taking notice of the medium of communication ; it is as if he had been speaking to you all the while.