last, and you fellows began to come, you seemed like our very own come back after many years, and," he added, a throb in his voice, "we were most awfully glad to see you-we wanted a chance to show you how England felt."

Skipworth Cary rose to his feet. The tears for his friend were still wet upon his lashes. Stooping, he took Lady Sherwood's hands in his and raised them to his

lips. lips. "As long as I live, I shall never forget," he said. "And others of us have seen it, too, in other ways-be sure America will never forget, either."

She looked up at his untouched youth out of her beautiful sad eyes, the exalted light still shining through her tears. "Yes," she said, "you see it was-I don't know exactly how to put it—but it was England to America."

THIS is not an easy story; not a road for tender or for casual feet. Better the meadows. Let me warn you, it is as hard as that old man's soul and as sunless as his eyes. It has its inception in catastrophe, and its end in an act of almost incredible violence; between them it tells barely how one long blind can become also deaf and dumb.

He lived in one of those old puritan sea towns where the strain has come down austere and moribund, so that his act would not be quite unbelievable. Except that the town is no longer Puritan and Yankee. It has been betrayed; it has become an outpost of the Portuguese islands.

This man, this blind cobbler himself, was a Portuguese from St. Michael, in the Western Islands, and his name was Boaz Negro.

He was happy. An unquenchable exuberance lived in him. When he arose in the morning he made vast, as it were uncontrollable, gestures with his stout 1Reprinted by courtesy of Wilbur Daniel Steele.

arms. He came into his shop singing. His voice, strong and deep as the chest from which it emanated, rolled out through the doorway and along the street, and the fishermen, done with their morning work and lounging and smoking along the wharfs, said, "Boaz is to work already." Then they came up to sit in the shop.

In that town a cobbler's shop is a club. One sees the interior always dimly thronged. They sit on the benches watching the artisan at his work for hours, and they talk about everything in the world. A cobbler is known by the company he keeps.

Boaz Negro kept young company. He would have nothing to do with the old. On his own head the gray hairs set thickly.

He had a grown son. But the benches in his shop were for the lusty and valiant young, men who could spend the night drinking, and then at three o'clock in the morning turn out in the rain and dark to pull at the weirs, sing songs, buffet one another among the slippery fish in the

boat's bottom, and make loud jokes about the fundamental things, love and birth and death. Harkening to their boasts and strong prophecies his breast heaved and his heart beat faster. He was a large, full-blooded fellow, fashioned for exploits; the flame in his darkness burned higher even to hear of them.

It is scarcely conceivable how Boaz Negro could have come through this much of his life still possessed of that unquenchable and priceless exuberance; how he would sing in the dawn; how, simply listening to the recital of deeds in gale or brawl, he could forget himself a blind man, tied to a shop and a last; easily make of himself a lusty young fellow breasting the sunlit and adventurous tide of life.

He had had a wife, whom he had loved. Fate, which had scourged him with the initial scourge of blindness, had seen fit to take his Angelina away. He had had four sons. Three, one after another, had been removed, leaving only Manuel, the youngest. Recovering slowly, with agony, from each of these recurrent blows, his unquenchable exuberance had lived. And there was another thing quite as extraordinary. He had never done anything but work, and that sort of thing may kill the flame where an abrupt catastrophe fails. Work in the dark. Work, work, work! And accompanied by privation; an almost miserly scale of personal economy. Yes, indeed, he had "skinned his fingers," especially in the earlier years. When it tells most.

How he had worked! Not alone in the daytime, but also sometimes, when orders were heavy, far into the night. It was strange for one, passing along that deserted street at midnight, to hear issuing from the black shop of Boaz Negro the rhythmical tap-tap-tap of hammer on wooden peg.

Nor was that sound all: no man in town could get far past that shop in his nocturnal wandering unobserved. No more than a dozen footfalls, and from the darkness Boaz's voice rolled forth, fraternal, stentorian, "Good night, An

you, Caleb

tone!" "Good night to you, Snow!"

To Boaz Negro it was still broad day. Now, because of this, he was what might be called a substantial man. He owned his place, his shop, opening on the sidewalk, and behind it the dwellinghouse with trellised galleries upstairs and down.

And there was always something for his son, a "piece for the pocket," a dollar-, five-, even a ten-dollar bill if he had "got to have it." Manuel was "a good boy." Boaz not only said this; he felt that he was assured of it in his understanding, to the infinite peace of his heart.

It was curious that he should be ignorant only of the one nearest to him. Not because he was physically blind. Be certain he knew more of other men and of other men's sons than they or their neighbors did. More, that is to say, of their hearts, their understandings, their idiosyncrasies, and their ultimate weight. in the balance-pan of eternity.

His simple explanation of Manuel was that Manuel "wasn't too stout." Το others he said this, and to himself. Manuel was not indeed too robust. How should he be vigorous when he never did anything to make him so? He never worked. Why should he work, when existence was provided for, and when there was always that "piece for the pocket"? Even a ten-dollar bill on a Saturday night! No, Manuel "wasn't too stout."

In the shop they let it go at that. The misssteps and frailties of every one else in the world were canvassed there with the most shameless publicity. But Boaz Negro was a blind man, and in a sense their host. Those reckless, strong young fellows respected and loved him. It was allowed to stand at that. Manuel was "a good boy." Which did not prevent them, by the way, from joining later in the general condemnation of that father's laxity-"the ruination of the boy!"

"He should have put him to work, that's what."

"He should have said to Manuel, to Manuel, 'Look here, if you want a dollar, go earn it first.'"

As a matter of fact, only one man ever gave Boaz the advice direct. That was Campbell Wood. And Wood never sat in that shop.

In every small town there is one young man who is spoken of as "rising." As often as not he is not a native, but "from away."

In this town Campbell Wood was that man. He had come from another part of the state to take a place in the bank. He lived in the upper story of Boaz Negro's house, the ground floor now doing for Boaz and the meagre remnant of his family. The old woman who came in to tidy up for the cobbler looked after Wood's rooms as well.

Dealing with Wood, one had first of all the sense of his incorruptibility. A little ruthless perhaps, as if one could imagine him, in defense of his integrity, cutting off his friend, cutting off his own hand, cutting off the very stream flowing out from the wellsprings of human kindness. An exaggeration, perhaps.

He was by long odds the most eligible young man in town; good looking in a spare, ruddy, sandy-haired Scottish fashion; important, incorruptible, "rising." But he took good care of his heart. Precisely that; like a sharp-eyed duenna to his own heart. One felt that here was the man, if ever was the man, who held his destiny in his own hand. Failing, of course, some quite gratuitous and unforeseeable catastrophe.

Not that he was not human, or even incapable of laughter or passion. He was, in a way, immensely accessible. He never clapped one on the shoulder; on the other hand, he never failed to speak. Not even to Boaz.

Returning from the bank in the afternoon, he had always a word for the cobbler. Passing out again to supper at his boarding-place, he had another, about the weather, the prospects of rain. And if Boaz were at work in the dark when he returned from an evening at the Board of

To the uneducated the idea of large finance is as uncomfortable as the idea of the law. It must be said for Boaz that, responsive to Wood's unfailing civility, he fought against this sensation of dim and somehow shameful distrust.

Nevertheless his whole parental soul was in arms that evening, when, returning from the bank and finding the shop empty of loungers, Wood paused a moment to propose the bit of advice already referred to.

"Haven't you ever thought of having Manuel learn the trade?"

A suspicion, a kind of premonition, lighted the fires of defense.

"Shoemaking," said Boaz, "is good enough for a blind man."

"Oh, I don't know. At least it's better than doing nothing at all." Boaz's hammer was still. He sat silent, monumental. Outwardly. For | once his unfailing response had failed him, "Manuel ain't too stout, you know." Perhaps it had become suddenly inadequate.

He hated Wood; he despised Wood; more than ever before, a hundred fold more, quite abruptly, he distrusted Wood.

How could a man say such things as Wood had said? And where Manuel himself might hear!

Where Manuel had heard! Boaz's other emotions-hatred and contempt and distrust-were overshadowed. Sitting in darkness, no sound had come to his ears, no footfall, no infinitesimal creaking of a floor-plank. Yet by some sixth uncanny sense of the blind he was aware that Manuel was standing in the dusk of the entry joining the shop to the house. Boaz made a Herculean effort. The

voice came out of his throat, harsh, bitter, and loud enough to have carried ten times the distance to his son's ears.

"Manuel is a good boy!" "Yes-h'm-yes-I suppose so." Wood shifted his weight. He seemed uncomfortable.

"Well. I'll be running along, I—ugh! Heavens!"

Something

was happening. Boaz heard exclamations, breathings, the rustle of sleeve-cloth in large, frantic, and futile graspings—all without understanding. Immediately there was an impact on the floor, and with it the unmistakable clink of metal. Boaz even heard that the metal was minted, and that the coins were gold. He understood. A coin-sack, gripped not quite carefully enough for a moment under the other's overcoat, had shifted, slipped, escaped, and fallen.

And Manuel had heard!

It was a dreadful moment for Boaz, dreadful in its native sense, as full of dread. Why? It was a moment of horrid revelation, ruthless clarification. His son, his link with the departed Angelina, that "good boy"-Manuel, standing in the shadow of the entry, visible alone to the blind, had heard the clink of falling gold, and-and Boaz wished that he had not! There, amazing, disconcerting, destroying, stood the sudden fact.

Sitting as impassive and monumental as ever, his strong, bleached hands at rest on his work, round drops of sweat came out on Boaz's forehead. He scarcely took the sense of what Wood was saying. Only fragments.

"Government money, understand-for the breakwater workings-huge-too many people know here, everywheredon't trust the safe-tin safe-Noah's Ark'-give you my word-Heavens, no!"

It boiled down to this-the money, more money than was good for that antiquated "Noah's Ark" at the bank-and whose contemplated sojourn there overnight was public to too many minds-in short, Wood was not only incorruptible, he was canny. To what one of those minds, now, would it occur that he should

take away that money bodily, under casual cover of his coat, to his own lodgings behind the cobbler-shop of Boaz Negro? For this one, this important night!

He was sorry the coin-sack had slipped, because he did not like to have the responsibility of secret sharer cast upon any one, even upon Boaz, even by accident. On the other hand, how tremendously fortunate that it had been Boaz and not another. So far as that went, Wood had no more anxiety now than before. One incorruptible knows another.

"I'd trust you, Mr. Negro" (that was one of the fragments which came and stuck in the cobbler's brain), “as far as I would myself. As long as it's only you. I'm just going up here and throw it under the bed. Oh, yes, certainly."

Boaz ate no supper. For the first time in his life food was dry in his gullet. Even under those other successive crushing blows of Fate the full and generous habit of his functionings had carried on unabated; he had always eaten what was set before him. Tonight, over his untouched plate, he watched Manuel with his sightless eyes, keeping track of his every mouthful, word, intonation, breath. What profit he expected to extract from this catlike surveillance it is impossible to

say.

When they arose from the suppertable Boaz made another Herculean effort. "Manuel, you're a good boy!"

The formula had a quality of appeal, of despair, and of command.

"Manuel, you should be short of money, maybe. Look, what's this? A tenner? Well, there's a piece for the pocket; go and enjoy yourself."

He would have been frightened had Manuel, upsetting tradition, declined the offering. With the morbid contrariness of the human imagination, the boy's avid grasping gave him no comfort.

He went out into the shop, where it was already dark, drew to him his last, his tools, mallets, cutters, pegs, leather. And having prepared to work, he remained idle. He found himself listening.

It has been observed that the large phenomena of sunlight and darkness were nothing to Boaz Negro. A busy night was broad day. Yet there was a difference; he knew it with the blind man's eyes, the ears.

Day was a vast confusion, or rather a wide fabric, of sounds; great and little sounds all woven together, voices, footfalls, wheels, far-off whistles and foghorns, flies buzzing in the sun. Night was another thing. Still there were voices and footfalls, but rarer, emerging from the large, pure body of silence as definite, surprising, and yet familiar entities.

To-night there was an easterly wind, coming off the water and carrying the sound of waves. So far as other fugitive sounds were concerned it was the same as silence. The wind made little difference to the ears. It nullified, from one direction at least, the other two visual processes of the blind, the sense of touch and the sense of smell. It blew away from the shop, toward the living-house.

As has been said, Boaz found himself listening, scrutinizing with an extraordinary attention, this immense background of sound. He heard footfalls. The story of that night was written, for him, in footfalls.

He heard them moving about the house, the lower floor, prowling here, there, halting for long spaces, advancing, retreating softly on the planks. About this aimless, interminable perambulation there was something to twist the nerves, something led and at the same time driven like a succession of frail and indecisive charges.

Boaz lifted himself from his chair. All his impulse called him to make a stir, join battle, cast in the breach the reenforcement of his presence, authority, good will. He sank back again; his hands fell down. The curious impotence of the spectator held him.

He heard footfalls, too, on the upper floor, a little fainter, borne to the inner rather than the outer ear, along the solid causeway of partitions and floor, the legs

of his chair, the bony framework of his body. Very faint indeed. Sinking back easily into the background of the wind. They, too, came and went, this room, that, to the passage, the stair-head, and away. About them, too, there was the same quality of being led and at the same time of being driven.

Time went by. In his darkness it semed to Boaz that hours must have passed. He heard voices. Together with the footfalls, that abrupt, brief, and (in view of Wood's position) astounding interchange of sentences made up his history of the night. Wood must have opened the door at the head of the stair; by the sound of his voice he would be standing there, peering below perhaps ; perhaps listening.

"What's wrong down there?" he called. "Why don't you go to bed?"

After a moment, came Manuel's voice, "Ain't sleepy."

"Neither am I. Look here, do you like to play cards?"

"What kind? Euchre! I like euchre all right. Or pitch."

"Well, what would you say to coming up and having a game of euchre then, Manuel? If you can't sleep?"

"That'd be all right."

The lower footfalls ascended to join the footfalls on the upper floor. There was the sound of a door closing.

Boaz sat still. In the gloom he might have been taken for a piece of furniture, of machinery, an extraordinary lay figure, perhaps, for the trying on of the boots he made. He seemed scarcely to breathe, only the sweat starting from his brow giving him an aspect of life.

He ought to have run, and leaped up that inner stair and pounded with his fists on that door. He seemed unable to move. At rare intervals feet passed on the sidewalk outside, just at his elbow, so to say, and yet somehow, to-night, immeasurably far away. Beyond the orbit. of the moon. He heard Rugg, the policeman, noting the silence of the shop, muttering, "Boaz is to bed to-night," as he passed.