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of education, the encroachment was in matter of fact resisted. There were those in the middle age, as John of Salisbury, who vigorously protested against the extravagances and usurpations which ever attend the introduction of any great good whatever, and which attended the rise of the peculiar sciences of which Universities were the seat; and, though there were times when the old traditions seemed to be on the point of failing, somehow it has happened that they have never failed; for the instinct of Civilization and the common sense of Society prevailed, and the danger passed away, and the studies which seemed to be going out gained their ancient place, and were acknowledged, as before, to be the best instruments of mental cultivation, and the best guarantees for intellectual

progress.

And this experience of the past we may apply to the circumstances in which we find ourselves at present; for, as there was a movement against the Classics in the middle age, so has there been now. The truth of the Baconian method for the purposes for which it was created, and its inestimable services and inexhaustible applications in the interest of our material well-being, have dazzled the imaginations of men, somewhat in the same way as certain new sciences carried them away in the age of Abelard; and since that method does such wonders in its own province, it is not infrequently supposed that it can do as much in any other province also. Now, Bacon himself never would have so argued; he would not have needed to be reminded that to advance the useful arts is one thing, and to cultivate the mind another. The simple question to be considered is, how best to strengthen, refine, and enrich the intellectual powers; the perusal of the poets, historians, and philosophers of Greece and Rome will accomplish this purpose, as long experience has shown; but that the study of the experimental sciences will do the like, is proved to us as yet by no experience whatever.

Far indeed am I from denying the extreme attractiveness, as well as the practical benefit to the world at large, of the sciences of Chemistry, Electricity, and Geology; but the question is not what department of study contains the more wonderful facts, or promises the more brilliant discoveries, and which is in the higher and which in an inferior rank; but simply which out of all provides the most robust and invigorating discipline for the unformed mind. And I conceive it is as little disrespectful to Lord Bacon to prefer the Classics in this point of view to the sciences which have grown out of his philosophy as it would be disrespectful to St. Thomas in the middle ages to have hindered the study of the Summa from doing prejudice to the Faculty of Arts. Accordingly, I anticipate that, as in the middle ages both the teaching and the government of the University remained in the Faculty of Arts, in spite of the genius which created or illustrated Theology and Law, so now, too, whatever be the splendor of the modern philosophy, the marvelousness of its disclosures, the utility of its acquisitions, and the talent of its masters, still it will not avail in the event, to detrude classical literature and the studies connected with it from the place which they have held in all ages in education.

Such, then, is the course of reflection obviously suggested by the act in which we have been lately engaged, and which we are now celebrating. In the nineteenth century, in a country which looks out upon a new world, and anticipates a coming age, we have been engaged in opening the Schools dedicated to the studies of polite literature and liberal science, or what are called the Arts, as a first step towards the establishment on Catholic ground of a Catholic University. And while we thus recur to Greece and Athens with pleasure and affection, and recognize in that famous land the source and the school of intellectual culture, it would be strange indeed if we forget to look further south also, and there to bow before a more glorious luminary, and a

more sacred oracle of truth, and the source of another sort of knowledge, high and supernatural, which is seated in Palestine. Jerusalem is the fountainhead of religious knowledge, as Athens is of secular. In the ancient world we see two centres of illumination, acting independently of each other, each with its own movement, and at first apparently without any promise of convergence. Greek civilization spreads over the East, conquering in the conquests of Alexander, and, when carried captive into the West, subdues the conquerors who brought it thither. Religion, on the other hand, is driven from its own aboriginal home to the North and West by reason of the sins of the people who were in charge of it, in a long course of judgments and plagues and persecutions. Each by itself pursues its career and fulfills its mission; neither of them recognizes, nor is recognized by the other. At length the Temple of Jerusalem is rooted

up by the armies of Titus, and the effete schools of Athens are stifled by the edict of Justinian. So pass away the ancient Voices of religion and learning; but they are silenced only to revive more gloriously and perfectly elsewhere. Hitherto they came from separate sources, and performed separate works. Each leaves an heir and successor in the West, and that heir and successor is one and the same. The grace stored in Jerusalem, and the gifts which radiate from Athens, are made over and concentrated in Rome. This is true as a matter of history. Rome has inherited both sacred and profane learning; she has perpetuated and dispensed the traditions of Moses and David in the supernatural order, and of Homer and Aristotle in the natural. To separate those distinct teachings, human and divine, which meet in Rome is to retrograde; it is to rebuild the Jewish Temple and to plant anew the groves of Academus.1

ILLUSIONS2

RALPH WALDO EMERSON

Among the literary traditions of New England the name of Ralph Waldo Emerson (18031882) holds a noble place. Associated with the school of Transcendentalism, he pours into his poetry and essays thoughts at once sublime and mystical, yet filled with a practical philosophy of life. The essay "Illusions," taken from the volume Conduct of Life (1860), is a plea for man's reliance upon his own convictions.

SOME years ago, in company with an agreeable party, I spent a long summer day in exploring the Mammoth Cave in Kentucky. We traversed, through spacious galleries affording a solid masonry foundation for the town and county overhead, the six or eight black miles from the mouth of the cavern to the innermost recess which tourists visit-a niche or grotto made of one seamless stalactite, and called, I believe, Serena's Bower. I lost the light of one day. I

1A public pleasure ground near Athens where Plato taught.

2From Conduct of Life by Ralph Waldo Emerson. Reprinted by permission of, and by special arrangement with, Houghton Mifflin Company, the authorized publishers.

saw high domes and bottomless pits; heard the voice of unseen waterfalls; paddled three quarters of a mile in the deep Echo River, whose waters are peopled with the blind fish; crossed the streams "Lethe" and "Styx"; plied with music and guns the echoes in these alarming galleries; saw every form of stalagmite and stalactite in the sculptured and fretted chambers-icicle, orange-flower, acanthus, grapes, and snowball. We shot Bengal lights into the vaults and groins of the sparry cathedrals and examined all the masterpieces which the four combined engineers, water, limestone, gravitation, and time could make in the dark.

The mysteries and scenery of the cave had the same dignity that belongs to all

natural objects, and which shames the
fine things to which we foppishly com-
pare them. I remarked especially the
mimetic habit with which Nature, on new
instruments, hums her old tunes, making
night to mimic day, and chemistry to ape
vegetation. But I then took notice and
still chiefly remember that the best thing
which the cave had to offer was an illu-
sion. On arriving at what is called the
"Star-Chamber," our lamps were taken
from us by the guide and extinguished or
put aside, and, on looking upwards, I
saw or seemed to see the night heaven
thick with stars glimmering more or less
brightly over our heads, and even what
seemed a comet flaming among them.
All the party were touched with aston-
ishment and pleasure. Our musical
friends sung with much feeling a pretty
song, "The stars are in the quiet sky,"
etc., and I sat down on the rocky floor to
enjoy the serene picture. Some crystal
specks in the black ceiling high overhead,
reflecting the light of a half-hid lamp,
yielded this magnificent effect.

I own I did not like the cave so well for eking out its sublimities with this theatrical trick. But I have had many experiences like it, before and since; and we must be content to be pleased without too curiously analyzing the occasions. Our conversation with Nature is not just what it seems. The cloud-rack, the sunrise and sunset glories, rainbows and Northern Lights are not quite so spheral as our childhood thought them; and the part our organization plays in them is too large. The senses interfere everywhere and mix their own structure with all they report of. Once we fancied the earth a plane, and stationary. In admiring the sunset we do not yet deduct the rounding, coördinating, pictorial powers of the eye.

The same interference from our organization creates the most of our pleasure and pain. Our first mistake is the belief that the circumstance gives the joy which we give to the circumstance. Life is an ecstasy. Life is sweet as nitrous oxide; and the fisherman dripping all day over a

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cold pond, the switchman at the railway intersection, the farmer in the field, the negro in the rice-swamp, the fop in the street, the hunter in the woods, the barrister with the jury, the belle at the ball, all ascribe a certain pleasure to their employment, which they themselves give it. Health and appetite impart the sweetness to sugar, bread, and meat. We fancy that our civilization has got cn far, but we still come back to our primers.

We live by our imaginations, by our admirations, by our sentiments. The child walks amid heaps of illusions, which he does not like to have disturbed. The boy, how sweet to him is his fancy! how dear the story of barons and battles! What a hero he is, whilst he feeds on his heroes! What a debt is his to imaginative books! He has no better friend or influence than Scott, Shakespeare, Plutarch, and Homer. The man lives to other objects, but who dare affirm that they are more real? Even the prose of the streets is full of refractions. In the life of the dreariest alderman, fancy enters into all details and colors them with rosy hue. He imitates the air and actions of people whom he admires, and is raised in his own eyes. He pays a debt quicker to a rich man than to a poor man. He wishes the bow and compliment of some leader in the state or in society; weighs what he says; perhaps he never comes nearer to him for that, but dies at last better contented for this amusement of his eyes and his fancy.

The world rolls, the din of life is never hushed. In London, in Paris, in Boston, in San Francisco, the carnival, the masquerade is at its height. Nobody drops his domino. The unities, the fictions of the piece it would be an impertinence to break. The chapter of faspertinence to break. cinations is very long. Great is paint; nay, God is the painter; and we rightly accuse the critic who destroys too many illusions. Society does not love its unmaskers. It was wittily if somewhat bitterly said by D' Alembert, qu'un état de vapeur était un état très fâcheux, parcequ'il nous faisait voir les choses comme

elles sont. I find men victims of illusions in all parts of life. Children, youths, adults, and old men. all are led by one bawble or another. Yoganidra, the goddess of illusion, Proteus, or Momus, or Gylfi's Mocking,-for the Power has many names,-is stronger than the Titans, stronger than Apollo. Few have overheard the gods or surprised their secret. Life is a succession of lessons which must be lived to be understood. All is riddle, and the key to a riddle is another riddle. There are as many pillows of illusion as flakes in a snow-storm. We wake from one dream into another dream. The toys to be sure are various, and are graduated in refinement to the quality of the dupe. The intellectual man requires a fine bait; the sots are easily amused. But everybody is drugged with his own frenzy, and the pageant marches at all hours, with music and banner and badge.

Amid the joyous troop who give into the chari-vari, comes now and then sad-eyed boy whose eyes lacks the requisite refractions to clothe the show in due glory, and who is afflicted with a tendency to trace home the glittering miscellany of fruits and flowers to one root. Science is a search after identity, and the scientific whim is lurking in all corners. At the State Fair a friend of mine complained that all the varieties of fancy pears in our orchards seemed to have been selected by somebody who had a whim for a particular kind of pear, and only cultivated such as had that perfume; they were all alike. And I remember the quarrel of another youth with the confectioners, that when he racked his wit to choose the best comfits in the shops, in all the endless varieties of sweetmeat he could find only three flavors or two. What then? Pears and cakes are good for something; and because you unluckily have an eye or nose too keen, why need you spoil the comfort which the rest of us find in them? I knew a humorist

1" that a state of nausea was a very disagreeable state because it made us see things as they are."

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who in a good deal of rattle had a grain or two of sense. He shocked the company by maintaining that the attributes of God were two,-power and risibility; and that it was the duty of every pious man to keep up the comedy. And I have known gentlemen of great stake in the community, but whose sympathies were cold,-presidents of colleges and governors, and senators, who held themselves bound to sign every temperance pledge, and act with Bible societies and missions and peace-makers, and cry Hist-a-boy! to every good dog. We must not carry comity too far, but we all have kind impulses in this direction. When the boys come into my yard for leave to gather horse-chestnuts, I own I enter into Nature's game, and affect to grant the permission reluctantly, fearing that any moment they will find out the imposture of that showy chaff. But this tenderness is quite unnecessary; the enchantments are laid on very thick. Their young life is thatched with them. Bare and grim to tears is the lot of the children in the hovel I saw yesterday; yet not the less they hung it round with frippery romance, like the children of the happiest fortune, and talked of "the dear cottage where so many joyful hours had flown." Well, this thatching of hovels is the custom of the country. Women, more than all, are the element and kingdom of illusion. Being fascinated, they fascinate. They see through Claude-Lorraines. And how dare any one, if he could, pluck away the coulisses, stage effects and ceremonies, by which they live? Too pathetic, too pitiable, is the region of affection, and its atmosphere always liable to mirage.

We are not very much to blame for our bad marriages. We live amid hallucinations; and this especial trap is laid to trip. up our feet with, and all are tripped up first or last. But the mighty Mother who had been so sly with us, as if she felt that she owed us some indemnity, insinuates into the Pandora-box of marriage some deep and serious benefits and some great joys. We find a delight in the beauty and happiness of children that

makes the heart too big for the body. In the worst-assorted connections there is

ever

some mixture of true marriage. Teague and his jade1 get some just relations of mutual respect, kindly observation, and fostering of each other; learn something, and would carry themselves. wiselier if they were now to begin.

'Tis fine for us to point at one or another fine madman, as if there were any exempts. The scholar in his library is none. I, who have all my life heard any number of orations and debates, read poems and miscellaneous books, conversed with many geniuses, am still the victim of any new page; and if Marmaduke, or Hugh, or Moosehead, or any other, invent a new style or mythology, I fancy that the world will be all brave and right if dressed in these colors, which I had not thought of. Then at once I will daub with this new paint; but it will not stick. 'Tis like the cement which the peddler sells at the door; he makes broken crockery hold with it, but you can never buy of him a bit of the cement which will make it hold when he is gone.

Men who make themselves felt in the world avail themselves of a certain fate in their constitution which they know how to use. But they never deeply interest us unless they lift a corner of the curtain, or betray, never so slightly, their penetration of what is behind it. 'Tis the charm of practical men that outside of their practicality are a certain poetry and play, as if they led the good horse Power by the bridle, and preferred to walk, though they can ride so fiercely. Bonaparte is intellectual, as well as Caesar; and the best soldiers, sea-captains and railway men have a gentleness when off duty; a good-natured admission that there are illusions, and who shall say that he is not their sport? We stigmatize the cast-iron fellows who cannot so detach themselves, as "dragon-ridden," "thunder-stricken," and fools of fate, with whatever powers endowed.

'Blundering characters in Howard's comedy The Committee (1670).

Since our tuition is through emblems and indirections, it is well to know that there is method in it, a fixed scale and rank above rank in the phantasms. We begin low with coarse masks and rise to the most subtle and beautiful. The red men told Columbus "they had an herb which took away fatigue"; but he found the illusion of "arriving from the east at the Indies" more composing to his lofty spirit than any tobacco. Is not our faith in the impenetrability of matter more sedative than narcotics? You play with jackstraws, balls, bowls, horse and gun, estates and politics; but there are finer games before you. Is not time a pretty toy? Life will show you masks that are worth all your carnivals. Yonder mountain must migrate into your mind. The fine star-dust and nebulous blur in Orion, "the portentous year of Mizar and Alcor," must come down and be dealt with in your household thought. What if you shall come to discern that the play and playground of all this pompous history are radiations from yourself, and that the sun borrows his beams? What terrible questions we are learning to ask! The former men believed in magic, by which temples, cities, and men were swallowed up, and all trace of them gone. We are coming on the secret of a magic which sweeps out of men's minds all vestige of theism and beliefs which they and their fathers held and were framed upon.

There are deceptions of the senses, deceptions of the passions, and the structural, beneficent illusions of sentiment and of the intellect. There is the illusion of love, which attributes to the beloved person all which that person shares with his or her family, sex, age, or condition, nay, with the human mind itself. 'Tis these which the lover loves, and Anna Matilda gets the credit of them. As if one shut up always in a tower, with one window through which the face of heaven and earth could be seen, should fancy that all the marvels be beheld belonged to that window. There is the illusion of time, which is very deep; who has disposed of it?-or come to the con

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