Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
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Seite 14
... theatre . In performance the enigmatic ' star ' part has always held attention : Richard is the man who cries ' A horse ! a horse ! my kingdom for a horse ! ' not a villain anatomised for our consideration . VI We can describe the ...
... theatre . In performance the enigmatic ' star ' part has always held attention : Richard is the man who cries ' A horse ! a horse ! my kingdom for a horse ! ' not a villain anatomised for our consideration . VI We can describe the ...
Seite 48
... theatre and an equally satisfying one in the imagination of the reader's mind ? When think- ing of Henry V many of us think first of the play as a film - Laurence Olivier's famous version , and our memories of that ( in contrast to the ...
... theatre and an equally satisfying one in the imagination of the reader's mind ? When think- ing of Henry V many of us think first of the play as a film - Laurence Olivier's famous version , and our memories of that ( in contrast to the ...
Seite 178
... theatre gossip , dramatic criticism , and enjoying this performance by the Players . Nor has this leisurely episode seemed like the lull of an epic simile before the thunder - clap of a climax . The audience will not be surprised to ...
... theatre gossip , dramatic criticism , and enjoying this performance by the Players . Nor has this leisurely episode seemed like the lull of an epic simile before the thunder - clap of a climax . The audience will not be surprised to ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words