Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
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Seite 24
... simply to name the characters has induced in him a sort of partial delusion . Likewise with Morgann . Morgann may not go to the War Office to enquire about Falstaff , but he does look into his war - record using any hint he can find in ...
... simply to name the characters has induced in him a sort of partial delusion . Likewise with Morgann . Morgann may not go to the War Office to enquire about Falstaff , but he does look into his war - record using any hint he can find in ...
Seite 64
... simply that it is put into an artificial idiom . If Shakespeare had told this story in the same swift , concrete , realistic prose with which he presented the story of Beatrice and Benedick , it would be perfectly convincing . But he ...
... simply that it is put into an artificial idiom . If Shakespeare had told this story in the same swift , concrete , realistic prose with which he presented the story of Beatrice and Benedick , it would be perfectly convincing . But he ...
Seite 110
... simply that he is more real . This sense of him makes everyone else mere actors in a play . It is one aspect of the rhetorical mode that it confines the actors within its limitations , from which only Richard and Margaret stand apart ...
... simply that he is more real . This sense of him makes everyone else mere actors in a play . It is one aspect of the rhetorical mode that it confines the actors within its limitations , from which only Richard and Margaret stand apart ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words