Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
Im Buch
Ergebnisse 1-3 von 52
Seite 86
... reality and therefore illusory : like the illusions of Oberon and Richard II it dominates reality , shaping it to its own form and granting it validity only within these terms , negating the experiences from which it draws positive ...
... reality and therefore illusory : like the illusions of Oberon and Richard II it dominates reality , shaping it to its own form and granting it validity only within these terms , negating the experiences from which it draws positive ...
Seite 88
... reality into illuminating connection with another ; it can also break down defined reality into a purely negative freedom , disclosing insights and relations held at a sheerly verbal level beyond the boundaries of actuality and ...
... reality into illuminating connection with another ; it can also break down defined reality into a purely negative freedom , disclosing insights and relations held at a sheerly verbal level beyond the boundaries of actuality and ...
Seite 89
... reality to itself , a power which involves the absorption of reality into speech , highlights paradoxically the distance of language from reality : ' . . . in my conscience , sir , I do not care for you . If that be to care for nothing ...
... reality to itself , a power which involves the absorption of reality into speech , highlights paradoxically the distance of language from reality : ' . . . in my conscience , sir , I do not care for you . If that be to care for nothing ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words