Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
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Seite 50
... production of classic drama ... ' ( hence ' more in sorrow ' etcetera ) . But it then goes on to make other claims which , if they have informed the general production style as they certainly appear to have done , could unkindly be ...
... production of classic drama ... ' ( hence ' more in sorrow ' etcetera ) . But it then goes on to make other claims which , if they have informed the general production style as they certainly appear to have done , could unkindly be ...
Seite 102
... production is built . The first , the choosing scene ( II.iii ) , is full of music and dance , from the sprightly flourish of young courtiers in the opening polka , through the statelier , but still joyful , rhythm of the newly ...
... production is built . The first , the choosing scene ( II.iii ) , is full of music and dance , from the sprightly flourish of young courtiers in the opening polka , through the statelier , but still joyful , rhythm of the newly ...
Seite 175
... production of a rousing performance : ' I'll warrant she'll tax him home ' ( III.iii . 29 ) . In his last instructions to Gertrude he repeatedly demands that she should play boldly with the fire which leads to his own destruction : A ...
... production of a rousing performance : ' I'll warrant she'll tax him home ' ( III.iii . 29 ) . In his last instructions to Gertrude he repeatedly demands that she should play boldly with the fire which leads to his own destruction : A ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words