Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
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Seite 60
... plot to plot and back again . But in those plays , as in A Midsummer Night's Dream whose moonlit atmosphere effortlessly embraces a prose - plot and a tight web of three verse - plots , Shakespeare's imagination was equally involved in ...
... plot to plot and back again . But in those plays , as in A Midsummer Night's Dream whose moonlit atmosphere effortlessly embraces a prose - plot and a tight web of three verse - plots , Shakespeare's imagination was equally involved in ...
Seite 67
... plot by Shakespeare's distaste for it . Dr Johnson , in dismissing the plot of Cymbeline , spoke of ' faults too evident for detection , and too gross for aggravation ' . This could certainly be applied to the Hero - and - Claudio story ...
... plot by Shakespeare's distaste for it . Dr Johnson , in dismissing the plot of Cymbeline , spoke of ' faults too evident for detection , and too gross for aggravation ' . This could certainly be applied to the Hero - and - Claudio story ...
Seite 68
... plot , Leonato expresses his intention of seeking Margaret out and confronting her with Borachio . In the very next scene ( V.ii ) we see her , talking to Benedick , but the scene is entirely without function except in so far as ...
... plot , Leonato expresses his intention of seeking Margaret out and confronting her with Borachio . In the very next scene ( V.ii ) we see her , talking to Benedick , but the scene is entirely without function except in so far as ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words