Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
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Seite 7
... performance , in spite of apparent contradictions in symbolism , there ' is pure harmony ' , an instinctively conceived and indirectly perceived unity . The manner of the Shakespearean critics would be too simple to describe this play ...
... performance , in spite of apparent contradictions in symbolism , there ' is pure harmony ' , an instinctively conceived and indirectly perceived unity . The manner of the Shakespearean critics would be too simple to describe this play ...
Seite 42
... performance of only three hours . This misconception , which bedevilled dramatists particularly in seventeenth - century France , was not properly exposed as nonsense until Addison and Johnson stamped on it with scorn . But Shakespeare ...
... performance of only three hours . This misconception , which bedevilled dramatists particularly in seventeenth - century France , was not properly exposed as nonsense until Addison and Johnson stamped on it with scorn . But Shakespeare ...
Seite 109
... performance . And it must be a very good performance , or it does not work . The words are virtuoso , so must the acting be . The tendency of all Richards that I have seen is to do what Lamb condemned in Cooke's performance : to make ...
... performance . And it must be a very good performance , or it does not work . The words are virtuoso , so must the acting be . The tendency of all Richards that I have seen is to do what Lamb condemned in Cooke's performance : to make ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words