Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
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Seite 23
... means , it cannot mean that . But if Bradley was not actually deluded , what are we to say ? Does his guilt merely consist in his using the language of delusion ? Certainly we cannot pretend that Bradley invariably gives a signal of his ...
... means , it cannot mean that . But if Bradley was not actually deluded , what are we to say ? Does his guilt merely consist in his using the language of delusion ? Certainly we cannot pretend that Bradley invariably gives a signal of his ...
Seite 44
... means of making that joy actual . Shakespeare the poet conceived the joy of the restoration of Hermione . He was able to go further and to com- prehend some bringer of that joy . Comprehend means to apprehend with the senses , with ...
... means of making that joy actual . Shakespeare the poet conceived the joy of the restoration of Hermione . He was able to go further and to com- prehend some bringer of that joy . Comprehend means to apprehend with the senses , with ...
Seite 156
... means , If he improve them , may well stretch so far As to annoy us all ; . . . this unspecified allusion may be to Antony's links with Octavius as well as to his rhetorical skill , but Cassius does not press his case . Brutus overrides ...
... means , If he improve them , may well stretch so far As to annoy us all ; . . . this unspecified allusion may be to Antony's links with Octavius as well as to his rhetorical skill , but Cassius does not press his case . Brutus overrides ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words