Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
Im Buch
Ergebnisse 1-3 von 27
Seite 107
... force that builds up against Richard till his fall becomes inevitable is not Richmond , but the ritual of history , the swelling chorus of a more - than - human force . Richmond is a tertium quid , the inheritor of the new land when the ...
... force that builds up against Richard till his fall becomes inevitable is not Richmond , but the ritual of history , the swelling chorus of a more - than - human force . Richmond is a tertium quid , the inheritor of the new land when the ...
Seite 112
... force of will . In doing so he steadily intensifies his own alienation from other men , and develops , with his own rising power , simultaneously the force that will destroy it . At the moment of his highest triumph , the grasping of ...
... force of will . In doing so he steadily intensifies his own alienation from other men , and develops , with his own rising power , simultaneously the force that will destroy it . At the moment of his highest triumph , the grasping of ...
Seite 156
... force , whatever one's personal feelings towards those in power , there is no alternative resort but counter - force . This must be recognised , even though one must also insist on minimising the violence as much as possible . This is ...
... force , whatever one's personal feelings towards those in power , there is no alternative resort but counter - force . This must be recognised , even though one must also insist on minimising the violence as much as possible . This is ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
13 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words