Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
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Seite 48
... experience . We had been entranced and captured by the power of the language and the presence of the actor . We had laughed , and done so in the company of others . And this point seems to me to be important . In the theatre the experience ...
... experience . We had been entranced and captured by the power of the language and the presence of the actor . We had laughed , and done so in the company of others . And this point seems to me to be important . In the theatre the experience ...
Seite 55
... experience of televised Shakespeare . I can see this suggestion being greeted with horror by television drama producers ( and perhaps some television actors ) to whom the live audience is often a strange experience and for whom it would ...
... experience of televised Shakespeare . I can see this suggestion being greeted with horror by television drama producers ( and perhaps some television actors ) to whom the live audience is often a strange experience and for whom it would ...
Seite 93
... experience within the structure , but any possible experience outside it . By setting up the language and the illusion in a particular way , all experience is controllable and any assault on the structure can be deflected , as ...
... experience within the structure , but any possible experience outside it . By setting up the language and the illusion in a particular way , all experience is controllable and any assault on the structure can be deflected , as ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words