Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
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Seite 9
... drama and , especially , by Waiting for Godot , is of utmost importance for our understanding of Shakespeare . He seldom perplexes so obviously as Mr Beckett , but he does perplex some men and frequently divides opinion ; he might have ...
... drama and , especially , by Waiting for Godot , is of utmost importance for our understanding of Shakespeare . He seldom perplexes so obviously as Mr Beckett , but he does perplex some men and frequently divides opinion ; he might have ...
Seite 50
... drama in which we are participating . When a television ( or , to be fair , a film ) director cuts to a particular character , or comes into a close - up , or otherwise shapes our image of the action , he is intruding his own interpreta ...
... drama in which we are participating . When a television ( or , to be fair , a film ) director cuts to a particular character , or comes into a close - up , or otherwise shapes our image of the action , he is intruding his own interpreta ...
Seite 185
... drama surprisingly little different from Bradley's . His resort , after all , is to the familiar ' fatal flaw ' , some crippling psychological and moral deficiency . Dr Leavis is decently apologetic about the need to call on so ...
... drama surprisingly little different from Bradley's . His resort , after all , is to the familiar ' fatal flaw ' , some crippling psychological and moral deficiency . Dr Leavis is decently apologetic about the need to call on so ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words