Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
Im Buch
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Seite 54
... concerned with was a pleasure to watch and listen to in itself . But the problem was that it was in itself . It ... concerns audiences . I have suggested earlier in this review that the role of the audience in a Shakespeare production is ...
... concerned with was a pleasure to watch and listen to in itself . But the problem was that it was in itself . It ... concerns audiences . I have suggested earlier in this review that the role of the audience in a Shakespeare production is ...
Seite 105
... concerned to deny that the formal aspects of the play develop from 2 and 3 Henry VI , nor that it is intended to conclude an impressive sequence . But it does not seem to me to be dependent on that sequence for its own quality , and it ...
... concerned to deny that the formal aspects of the play develop from 2 and 3 Henry VI , nor that it is intended to conclude an impressive sequence . But it does not seem to me to be dependent on that sequence for its own quality , and it ...
Seite 171
... concerned with sin and conscience , at all times and places . ( The Wheel of Fire , 1949 ) But surely the truth is that Hamlet's amateur theatricals turn out to offer him further amusing opportunities to remind the audience that they ...
... concerned with sin and conscience , at all times and places . ( The Wheel of Fire , 1949 ) But surely the truth is that Hamlet's amateur theatricals turn out to offer him further amusing opportunities to remind the audience that they ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words