Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
Im Buch
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Seite 176
... attempt at a tragedy discovered the paradox that drama works through deeds and conversation but the subject of tragedy is often passive and lonely suffering : Action is transitory a step , a blow , - The motion of a muscle- this way or ...
... attempt at a tragedy discovered the paradox that drama works through deeds and conversation but the subject of tragedy is often passive and lonely suffering : Action is transitory a step , a blow , - The motion of a muscle- this way or ...
Seite 198
C. B. Cox, Brian Cox, David John Palmer. the point to attempt the familiar critical distinction between Othello as ... attempts morally and emotionally to separate himself continually collapse into spasms of uncontrolled emotion . She's ...
C. B. Cox, Brian Cox, David John Palmer. the point to attempt the familiar critical distinction between Othello as ... attempts morally and emotionally to separate himself continually collapse into spasms of uncontrolled emotion . She's ...
Seite 210
... attempt by Lear to accept again his peculiar responsibilities as a king . 19 The almost immediate failure of that attempt in the next scene where he awakes to Cordelia is welcomed by critics as a triumph . Jorgensen says that Lear at ...
... attempt by Lear to accept again his peculiar responsibilities as a king . 19 The almost immediate failure of that attempt in the next scene where he awakes to Cordelia is welcomed by critics as a triumph . Jorgensen says that Lear at ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words