Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
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Seite 48
... Henry IV and of Henry V. * Here are three plays full of intrigue , power politics , broad and sharp comedy , excitement of the bat- tlefield , poignant and sentimental relationships , and offering an opportun- ity to travel in history ...
... Henry IV and of Henry V. * Here are three plays full of intrigue , power politics , broad and sharp comedy , excitement of the bat- tlefield , poignant and sentimental relationships , and offering an opportun- ity to travel in history ...
Seite 54
... Henry urging on invis- ible troops to an indistinct objective via an improbable scaffold . Again we found ourselves in a kind of televisual limbo - land , halfway between the imagination and the reality . Henry V , Act 3 , scene 4. This ...
... Henry urging on invis- ible troops to an indistinct objective via an improbable scaffold . Again we found ourselves in a kind of televisual limbo - land , halfway between the imagination and the reality . Henry V , Act 3 , scene 4. This ...
Seite 117
... Henry IV I Biblical quotations abound in Shakespeare's two Henry IV plays , and most of them are made by Falstaff , whose allusions , as Richmond Noble says , ' are the aptest in the whole of the plays'.1 They are also , of course ...
... Henry IV I Biblical quotations abound in Shakespeare's two Henry IV plays , and most of them are made by Falstaff , whose allusions , as Richmond Noble says , ' are the aptest in the whole of the plays'.1 They are also , of course ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words