Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
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Seite 165
... Hamlet . Hamlet's instinct is to reject all these scripts as morally and intellectually unworthy . The audience is asked to enjoy the tension created by the leading player's refusal to act in the play . II The refusal often amounts to a ...
... Hamlet . Hamlet's instinct is to reject all these scripts as morally and intellectually unworthy . The audience is asked to enjoy the tension created by the leading player's refusal to act in the play . II The refusal often amounts to a ...
Seite 169
... Hamlet points out that the analogy can be carried further . Not only is the ornate stage - sky a false idealisation of the real one , but the players will each in his own role deny the bitter truth of reality : He that plays the King ...
... Hamlet points out that the analogy can be carried further . Not only is the ornate stage - sky a false idealisation of the real one , but the players will each in his own role deny the bitter truth of reality : He that plays the King ...
Seite 173
... Hamlet , like the audience , does nothing . To admit the validity of action would be to deny his own sense of existence as meaningless . To him the world is a bad play for which he is willing to be ' as good as a chorus ' ( III.ii. 245 ) ...
... Hamlet , like the audience , does nothing . To admit the validity of action would be to deny his own sense of existence as meaningless . To him the world is a bad play for which he is willing to be ' as good as a chorus ' ( III.ii. 245 ) ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
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