The Troll Garden: Short StoriesU of Nebraska Press, 1 de jun. de 2000 - 176 páginas This collection of Willa Cather stories?her first book of fiction and the capstone of her early career?is as relevant today as at the time of its initial publication.øAs different and individually distinguished as the seven stories may be, they share as their subject the role and status of the artist in American society. The passions, ambitions, and pretensions, the cant and the pathos of the art world, artists, pseudo-artists, aficionados, and dilettantes?all are amply represented here in the midst of their foibles, grand affairs, and failures, drawn with great style and subtlety by a writer gathering her formidable powers. With the psychological precision of her early master Henry James and the practical wisdom and wit of her contemporary Edith Wharton, Cather shows us innocents seduced, sophisticates undone, marriages sundered, idealism compromised, and the rare soul uplifted by art. |
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Página xxvi
... changes that Cather made in successive revisions of her sto- ries . When Dorothy Canfield Fisher , then a novelist herself , reviewed Youth and the Bright Medusa in 1921 , she commented on Cather's abil- ity to rework her fiction . She ...
... changes that Cather made in successive revisions of her sto- ries . When Dorothy Canfield Fisher , then a novelist herself , reviewed Youth and the Bright Medusa in 1921 , she commented on Cather's abil- ity to rework her fiction . She ...
Página xxvii
... changes from MV to NS . Between MV and TG Cather added 235 words to the story , but it is likely that she was merely restoring cuts that had been made to fit " Paul's Case " into an even number of pages in the maga- zine . Other changes ...
... changes from MV to NS . Between MV and TG Cather added 235 words to the story , but it is likely that she was merely restoring cuts that had been made to fit " Paul's Case " into an even number of pages in the maga- zine . Other changes ...
Página xxviii
... change in the portrait , but still she man- aged three more small cuts that modify Aunt Georgiana's emotional display during the concert , and the powerful ending of the story that survived three versions is emasculated in the final one ...
... change in the portrait , but still she man- aged three more small cuts that modify Aunt Georgiana's emotional display during the concert , and the powerful ending of the story that survived three versions is emasculated in the final one ...
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O conteúdo desta página é restrito.
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O conteúdo desta página é restrito.
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Conteúdo
Flavia and Her Artists | 7 |
The Sculptors Funeral | 32 |
The Garden Lodge | 46 |
A Death in the Desert | 57 |
The Marriage of Phaedra | 77 |
A Wagner Matinee | 94 |
Pauls Case | 102 |
Abbreviations | 122 |
Notes to the Text | 123 |
Textual Commentary | 131 |
Emendations | 137 |
Notes on the Emendations | 141 |
Table of Revisions | 145 |
Word Divisions | 175 |
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Termos e frases comuns
Adriance Ántonia artists asked Aunt Georgiana brother Brunhilda Caroline Charley colour concert copy-text Cordelia Street d'Esquerré death Desert door edition eyes face feeling felt Flavia Franz Josef Land friends Gaius Marius Garden Lodge Gaylord girl grey hands Harve Harvey Merrick head heard Hilgarde Howard Noble Imogen James Katharine knew Lady Ellen Lady Mary laughed looked Lydy Elling MacMaster magazine Marriage of Phædra McClure Miss Broadwood morning MV and TG Nebraska Nebraska State Journal never night once opera Paul Paul's piano picture Pittsburgh Red Willow County remember rose Roux S. S. McClure Sculptor's Funeral seemed shoulders smile sort Steavens stood story studio Tannhäuser things took Treffinger Treffinger's Troll Garden turned Wagner Matinee wanted watching Willa Cather Windermere window woman women young youth